Out of the flux of ambition and distraction and imagination came Tori Amos s 14th studio album: Unrepentant Geraldines. It s a vivid and vital album on which Amos once more zeroes in on the writing of brightly melodic, deftly evocative chamber-pop. Fairy-tale soul-poems, you might say. Or, a view from the middle-aged bridge. Women would talk to me about feeling trapped, which is explored a lot in this record there s a freedom I had writing this record. 

Unrepentant Geraldines was written over the past few years and entirely recorded in her Cornwall studio with long-time collaborators Mark Hawley and Marcel Van Limbeek, working as a triangle. 

2014 brought a fresh approach to creating and working for Tori. The album features Trouble s Lament, an eerie Southern blues song in which Amos s matchless voice conjures up images of how the flames from Satan s tongue are charged and licking at her heels...

America s South makes a tangential appearance in Giant s Rolling Pin. It s a pithy, spry, jig-like satire on the NSA/Edward Snowden affair that also references the magical, truth-giving powers of pies made by Beth, Marlene and Caroline, three remarkable women based out of a café near Amos s beach home in Florida.

From global and institutional politics to personal and emotional ones: Oysters is a classic Amos piano ballad, evocative of her timeless breakthrough album, 1992 s Little Earthquakes.

Unrepentant Geraldines is also available on CD and Vinyl.