Song Machine, Season One is Gorillaz’ newest concept which started in January 2020, releasing brand new material episodically - as and when it happens – and has continued throughout the year. The ongoing and ever-evolving process has seen our favourite characters joined by an expanding roster of collaborators captured live in Kong Studios and beyond. The result is an expansive collection of 17 tracks embracing a myriad of sounds, styles, genres and attitudes from a breath-taking line-up of guest artists including Beck, Elton John, Fatoumata Diawara, Georgia, Kano, Leee John, Octavian, Peter Hook, Robert Smith, Roxani Arias, ScHoolboy Q, Slaves, Slowthai, St Vincent and 6LACK, as well as CHAI, EARTHGANG, Goldlink, Joan As Police Woman, JPEGMAFIA, Moonchild Sanelly, Unknown Mortal Orchestra, Skepta and Tony Allen.
Two 140 Gram LPs, Transparent Inner Sleeves, 16 Page 12”x 12” booklet, Gatefold Jacket, Side 4 Etching
Letter To You is Bruce Springsteen’s new studio album with the E Street Band, and is a rock album fueled by the band's heart-stopping, house-rocking signature sound. Recorded at his home studio in New Jersey, Letter To You is Springsteen’s 20th studio album, and is his first album including the E Street Band since 2012’s High Hopes and their first performances together since 2016’s The River Tour.
“I love the emotional nature of Letter To You,” says Springsteen. “And I love the sound of the E Street Band playing completely live in the studio, in a way we’ve never done before, and with no overdubs. We made the album in only five days, and it turned out to be one of the greatest recording experiences I’ve ever had.”
Letter to You includes nine recently written Springsteen songs, as well as new recordings of three of his legendary, but previously unreleased, compositions from the 1970s, “Janey Needs A Shooter,” “If I Was The Priest,” and “Song For Orphans.” Springsteen is joined on Letter To You by Roy Bittan, Nils Lofgren, Patti Scialfa, Garry Tallent, Stevie Van Zandt, Max Weinberg, Charlie Giordano and Jake Clemons. The album was produced by Ron Aniello with Bruce Springsteen, mixed by Bob Clearmountain and mastered by Bob Ludwig.
LP: Double LP on black vinyl in gatefold jacket w/ black paper inner sleeves. Includes coupon for full download
There is always water.
In flowing rivers, in falling raindrops, in waves that will tear us to pieces, in ice cold glasses toasting the living and the dead. Water can carve away at mountainsides over eons, or come crashing over the city in an instant. Animals, fugitives, loners, and crumbling signs of life swim through the depths of the Mountain Goats’ Getting Into Knives, due October 23 via Merge. Like an eight-foot swell of blades, John Darnielle, Matt Douglas, Peter Hughes, and Jon Wurster ground the songs in the impermanence of permanence and the certainty of uncertainty, the casual and subtle threat that everything will come to an end.
Following the success of their debut album, Nothing Happens, and summer smash “Are You Bored Yet (feat. Clairo)”, Wallows announce their new quarantine-made EP titled Remote as well as release the first EP single “Nobody Gets Me (Like You)” with an accompanying music video. All songs on Remote were produced by Sachi DiSerafino, John DeBold, and Wallows except for “Nobody Gets Me (Like You)” which was produced by Ariel Rechtshaid (Vampire Weekend, Haim, Adele).
Decibel is North America’s only monthly metal magazine, celebrating 16 years as the U.S.’s preeminent brand in heavy metal media. The organizers of Record Store Day work year- round to celebrate and shine a spotlight on indie record stores. Together, they present the first ever COMPLETELY EXTREME vinyl compilation. Limited to 1000 copies. Gold-foil numbered. First in a series. Only available at indie record stores.
The definitive new Best Of John Lennon - 19 tracks on 2 LPs completely remixed from the original master tapes giving these classic songs a new life for generations to come and sounding better than ever before. Double LP on 180-gram vinyl. Contains 8 page booklet, fold-out double sided poster and GIMME SOME TRUTH. bumper sticker.
2 LP GATEFOLD.
8 PAGE BOOKLET, 1 FOLD OUT POSTER, 1 BUMPER STICKER.
19 TRACKS IN STEREO.
Released in October 2000, Linkin Park’s groundbreaking debut album Hybrid Theory is a melting pot of heavy alternative rock, hip-hop and electronic flourishes that inspired a new genre of music and a generation of dedicated fans, who continue to be loyal followers of the band. Additionally, the band’s sound influenced many young bands who related to the intense and emotional musical style. Hybrid Theory was the best-selling album of 2001 in the US and has since exceeded 11 million album sales in the US, qualifying for the rare Billboard “Diamond” award.
Hybrid Theory’s success was supported by intensive touring, and three successful singles: “One Step Closer,” “Crawling,” and “In The End.” The band won their first Grammy Award for “Crawling” as Best Rock Performance.
To celebrate 20 years since the original release, Hybrid Theory: 20th Anniversary Edition will be released on October 9th, 2020. The flagship format is a super-deluxe edition box set that includes unreleased and hard-to-find material on CD, vinyl and DVD. The box set also includes a lavishly illustrated 80-page book with contributions from the band and many previously unseen photographs, plus a replica tour laminate,an oversize poster of Chester Bennington, and 3 lithographs of new artwork supplied by Mike Shinoda, Joe Hahn and Frank Maddocks (the art director on the original release, and this anniversary edition).
The Seeds of love is the third studio album by Tears for Fears.
The album was released in September 1989, entering the UK Album Chart at no.1 and would be certified Platinum by the BPI within three weeks.
In the US, the album peaked at no.8, and was also certified Platinum.
The album also reached the top ten in various other countries around the world.
The album contained the Singles: Sowing the Seeds, Woman in Chains, Advice for the Young at Heart and Badman’s song, upon release it was seen (and still is) as one of the greatest albums of the 80’s.
This Deluxe edition contains not only the original album, but a new 5.1 mix by Steven Wilson which was done in conjunction with Roland Orzabal, as well as all the relevant B-Sides, alternate mixes and around 60 minutes of previously unheard demos and live rehearsals.
The set is housed in a shoe box style box (similar to the other 2 releases) with an extensive booklet, with new interviews by Super Deluxe editor Paul Sinclair with the band and other players on the album. It also contains the tour programme of the era as well.
PALO ALTO After the assassination of Dr. Martin Luther King, Jr. In 1968, racial tensions across the country rose. Palo Alto, a largely white college town in Cali, wasn't immune. Danny Scher, a junior at the high school, had a dream to have Thelonious Monk perform and help bring about racial unity the community while raising funds for the International Committee. After many twists and turns, the triumphantly successful concert eventually happened. #vinyl LP
Sam Smith continues their all-conquering journey to super stardom as they move towards the release of their third album ‘LOVE GOES’ in October 2020. This follows an incredible run of global smashes including ‘Dancing with a Stranger’, with Normani which has amassed over 13 million copies and over 2.5 billion streams, became the #1 airplay in the US & UK and has achieved platinum status in 15 countries. ‘How Do You Sleep?’ and the accompanying game-changing video has already reached sales of over 8 million and remained in the Spotify Global Top 20 after 4 months. 2018 also saw Smith release their global hit with Calvin Harris ‘Promises’ which the pair performed at the BRIT Awards; Sam reached 13 million YouTube subscribers – one of only 8 UK artists to achieve this accolade – and they ended 2019 peaking at 8 on the Global Spotify monthly listeners chart. They have over 10 billion total streams on Spotify alone, with 2 singles (Too Good At Goodbyes and Stay With Me) being one of only 100 tracks to ever achieve over 1bn total streams on Spotify. During their career Sam has sold over 28 million albums worldwide and notched up seven UK No. 1 records to date including ‘Writing’s On The Wall’ – the first Bond theme to reach the position, gaining them a Guinness World Record. In addition, Sam has also received four Grammy Awards, three BRITs and an Academy Award and a Golden Globe for Best Original Song (Writing’s On The Wall).180-gram 2LP housed in a double-pocket gatefold jacket with printed inner sleeves.
Taylor Swift’s surprise album, folklore, on CD August 7th! "Most of the things I had planned this summer didn’t end up happening, but there is something I hadn’t planned on that DID happen. And that thing is my 8th studio album, folklore," she said, letting fans know she poured all her whims, dreams, fears, musings into the 17 tracks. "I wrote and recorded this music in isolation but got to collaborate with some musical heroes of mine; Aaron Dessner, Bon Iver, William Bowery and Jack Antonoff.”
New Vinyl: $50.98 Add to Cart
52 page hardbound foil stamped coffee table book with 2 LPs, handwritten lyrics and over 20 previously unseen photographs.
When Elliott Smith's self-titled second album came out in 1995, it was ignored by the press but championed by artists from the Beastie Boys to Fugazi. To commemorate the twenty-fifth anniversary of Elliott Smith, the Kill Rock Stars label is releasing a special deluxe package, which includes a new remastering of the original record; a coffee table book of previously unseen photographs by JJ Gonson with handwritten lyrics, reminiscences from Smith's friends and colleagues, and previously unseen photographs; and a bonus disc documenting the earliest known recording of Smith performing as a solo act. The set is a revelatory look at an under-appreciated work by an artist whose influence continues to expand seventeen years after his death.
Recorded at Henson Studios and Trainwreck Studios, Ohms is an other-worldly body of work meticulously crafted by the 5 piece band. It is a magnificent tour de force and their first album in 4 years since the critically acclaimed Gore LP in 2016. The band, which includes Chino Moreno, Frank Delgado, Stephen Carpenter, Abe Cunningham, and Sergio Vega, has produced a dense LP with every member firing on all cylinders. The album also boasts a familiar collaborator in veteran producer and engineer Terry Date, who worked on 1995’s Adrenaline, 1997’s Around the Fur and 2000’s White Pony. All of the above assembles and sets the stage to deliver Ohms; 10 tracks of raw escapism and unparalleled grooves that have made Deftones' sound singular for over two decades.
BLACK LP: S&M2, the live set from Metallica & The San Francisco Symphony is the concert event of the year! S&M2 features 20 songs (over 2.5 hours of music) from the two-night event that opened San Francisco’s new Chase Center, with many Metallica fan favorites and 2 unique classical songs chosen by San Francisco Symphony Musical Director Michael Tilson Thomas. S&M2 has newly re-mixed and remastered audio for a whole new sound from the original theatrical run in October 2019. Four black LPs with a 16-page 12x12 booklet featuring photos by Anton Cobijn. Download card included.
Metallica and San Francisco Symphony’s September 6 & 8, 2019 S&M2 concerts were historic on multiple levels: They served as the grand opening of San Francisco’s Chase Center, reunited the band and Symphony for the first time since the 1999 performances captured on the Grammy-winning S&M album, and featured the first-ever symphonic renditions of songs written and released since those original S&M shows.
The sold out shows were rapturously received by the 40,000 fans who traveled from nearly 70 countries, as well as the media: Rolling Stone raved “the group proved that anything was possible,” Variety noted an atmosphere “buzzing with excitement,” while the Mercury News witnessed "a concert that fans will be talking about for decades to come,” and Consequence of Sound hailed "a true celebration of Metallica and their musical prowess.”
New Vinyl: $39.98 Add to Cart
Newly remastered original studio album, pressed on 180g black vinyl and cut across four sides for the first time. Comes with 20 page 12" x 12" booklet.
American Head is the best and most consistent studio album from The Flaming Lips since the release of their most successful brace of albums The Soft Bulletin and Yoshimi Battles The Pink Robots. Similar to those albums, the 13 songs on American Head are classically structured and features the same sonic and production qualities. Kacey Musgraves (a fan who covers “Do You Realize” in her live set) is featured on “God And The Policeman”.
New CD: $18.98 Add to Cart
Marc Bolan has been famously cited as a major influence by some of the biggest names in music from David Bowie to Johnny Marr.
Bolan’s golden era was in the late sixties and seventies when he was the biggest selling singles artist since the Beatles, movie star and the electric spark behind Glam Rock. He died in 1977 aged just 29, after a car crash in Barnes, London but his reputation has only grown.
Later this year Marc will be inducted into the Rock n Roll Hall Of Fame and 50 years since the first T.Rex single and album, illustrious fans have gathered to pay tribute and argue for his place amongst the music greats.
For ‘AngelHeaded Hipster’, a collection of major stars including Nick Cave, U2 featuring Elton John, Joan Jett, Peaches and Marc Almond have reinterpreted and reimagined some of his greatest tracks including Jeepster, Bang A Gong (Get It On) and Ride A White Swan.
Every track reveals a different Marc and offers a unique appreciation of a multifaceted musician, writer, poet and composer.
AngelHeaded Hipster was lovingly created by the late Hal Willner, who passed away on April 7 from COVID-19. The acclaimed music producer, who “for nearly four decades bent and shaped the dimensions of almost-popular music” (New York Times), produced albums for artists including Lou Reed, Marianne Faithfull and William S. Burroughs, and concept albums drawing upon the music of Thelonious Monk, Kurt Weill, vintage Disney films and others.
Double vinyl LP pressing - Includes Digital Download.
2020 release. Fetch the Bolt Cutters is the fifth studio album by American singer-songwriter Fiona Apple. It is Apple's first release since The Idler Wheel... in 2012. The album was recorded from 2015 to 2020, largely at Apple's home in Venice Beach. It was produced and performed by Apple alongside Amy Aileen Wood, Sebastian Steinberg and Davíd Garza; recording consisted of long, often-improvised takes with unconventional percussive sounds. Rooted in experimentation, the highly percussive album resists genre categorization. While conventional instruments, such as pianos and drum sets, do appear, the album also features prominent use of non-musical found objects as percussion. Apple described the result as "percussion orchestras". These industrial-like rhythms are contrasted against traditional melodies, and the upbeat songs often subvert traditional pop structures.
2LP Translucent Ruby Red Vinyl with Embossed Cover
The first release from Mr. Bungle since 1999. The Raging Wrath Of The Easter Bunny Demo is a re-recording of the band's 1986 high school thrash metal demo along with songs written then, but never recorded. The record also features covers of classics by S.O.D. and Corrosion Of Conformity. This version of Mr. Bungle is original members Mike Patton, Trey Spruance and Trevor Dunn, joined by Scott Ian of Anthrax and Dave Lombardo of Slayer/Dead Cross
Vinyl LP pressing. Live release from former frontman of indie rock band The Walkmen. Live! At Cafe Carlyle collects 10 recordings made during Leithauser's annual residency at the iconic New York City Cafe Carlyle. It includes covers of Lana Del Rey's "The greatest," Big Thief's "Not," and Randy Newman's "Miami."
The Ascension is the eighth studio album from singer, songwriter and composer Sufjan Stevens and is the long awaited follow-up to Stevens’ Carrie & Lowell. One of the most acclaimed albums of 2015, The New York Times praised Carrie & Lowell as “restrained and meticulous” while Pitchfork declared it “a masterpiece.”
In the time between Carrie & Lowell and the forthcoming The Ascension, Stevens also released Oscar-nominated music for the Luca Guadagnino film Call Me By Your Name; a collaborative album entitled Planetarium with Nico Muhly, Bryce Dessner (The National) and James Mcalister; The Decalogue, a solo piano work performed by Timo Andres; and scored several works for ballet: Reflections (Houston Ballet) and Principia (NYCB).
The Ascension is musically expansive and sweeping in thematic scope.
Ghosts of West Virginia centers on the Upper Big Branch coal mine explosion that killed twenty-nine men in that state in 2010, making it one of the worst mining disasters in American history. In ten deftly drawn sonic portraits, Earle and his band the Dukes explore the historical role of coal in rural communities. More than merely a question of jobs and income, mining has provided a sense of unity and meaning, patriotic pride and purpose.
The members of the original Joshua Redman Quartet—Redman(saxophone), Brad Mehldau(piano), Christian McBride(bass), and Brian Blade (drums)—reunite with the July 10, 2020 release of RoundAgain,the group’s first recording since 1994’s MoodSwing.The album features seven newly composed songs: three from Redman, two from Mehldau, and one each from McBride and Blade.
The 3 LP edition contains the original 1994 Wildflowers album (remastered) with 15 tracks on two LPs. LP 3 contains All The Rest, the 10 songs from the Wildflowers sessions that were left off the album, 5 of which are previously unreleased.
Standard weight clear vinyl
The Waterfall II completes The Waterfall, My Morning Jacket’s acclaimed 2015 record. Originally intended to be a sprawling triple album, the band were advised to hold back and keep some of it on the shelf. Until now! Frontman Jim James says, "this is simply the second half of a long snapshot of life for me as a writer in the years leading up to 2014, and the life of us as a band as we lived and worked in the epic country in and around Stinson Beach, CA during these recording sessions."
New Vinyl: $25.98 Add to Cart
Wavves will be celebrating the 10th anniversary of their album "King Of The Beach" this year with a reissue on "Purple kush vinyl" with alternate art that was originally slated to be the cover but was eventually scrapped. It will come with a bonus 7" featuring two songs from the "KIng Of The Beach" era called "Mutant" and "Stained Glass (Won't You Let Me Into Yr Heart)".
Sometimes it feels like you hear a Bright Eyes song with your whole body. From Conor Oberst’s early recordings in an Omaha basement in 1995 all the way up to 2020, Bright Eyes’ music tries to unravel the impossible tangles of dissent: personal and political, external and internal. It’s a study of the beauty in unsteadiness in all its forms – in a voice, beliefs, love, identity, and what fills up the spaces in-between. And in so many ways, it’s just about searching for a way through.
The year 2020 is full of significant anniversaries for Bright Eyes. Fevers and Mirrors was released 20 years ago this May, while Digital Ash in a Digital Urn and I’m Wide Awake It’s Morning both turned 15 in January. The latter, a singer-songwriter tour-de-force released amidst the Bush presidency and Iraq war, wades through incisive anti-war rhetoric and micro, intimate calamities. On the title track and throughout the record, Oberst sings about body counts in the newspaper, televised wars, the bottomless pit of American greed, struggling to understand the world alongside one’s own turmoil. In its own way, I’m Wide Awake It’s Morning carved out its place in the canon of great anti-war albums by being both present and prophetic, its urgency enduring 15 years later.
In 2011 the release of The People’s Key, Bright Eyes’ ninth and most recent album, ushered in an unofficial hiatus for the beloved project. In the time since, the work of the band’s core members – Oberst, multi-instrumentalist Mike Mogis, and multi-instrumentalist Nathaniel Walcott – has remained omnipresent, through both the members’ original work and collaboration.
In recent years, Mogis produced records for beloved folk acts First Aid Kit and Joseph, among others, as well as mixed the fine-spun ennui of Phoebe Bridgers’ breakthrough 2017 debut, Stranger in the Alps. Mogis and bandmate Walcott also teamed up to write the original scores for The Fault in Our Stars, Stuck in Love, and Lovely Still, and Walcott worked as a solo composer scoring number of independent feature-length films. Walcott spent extensive time on collaboration; in addition to his arrangement work for Mavis Staples, First Aid Kit, and M. Ward, he contributed studio work to artists ranging from U2 to jazz guitarist Jeff Parker, and also toured heavily as a member of the Red Hot Chili Peppers.
Oberst, who’s nearly 30 years into a prolific musical career, spent the last decade in similarly productive fashion. Across three years he released a string of solo albums: Salutations (2017), Ruminations (2016), and Upside Down Mountain (2014), as well as guested on records by First Aid Kit, Phoebe Bridgers, and Alt-J. His punk band, Desaparecidos, emerged from a 13-year hiatus in 2015 with the thunderous sophomore LP, Payola, a white-knuckled disarray of hollered political fury. And at the top of 2019, Oberst and Bridgers debuted their new band, Better Oblivion Community Center, digitally dropping the critically-lauded eponymous debut LP alongside a surprise performance on The Late Show with Stephen Colbert.
The heart at Bright Eyes’ songwriting still looms culturally, in films and TV shows and through re-imaginings by other artists. Mac Miller covered both “Lua” and “First Day of My Life”; Lorde’s version of the penultimate The People’s Key track, the funereal-waltz “Ladder Song,” was a focal point of The Hunger Games’ soundtrack; The Killers covered “Four Winds” for their Spaceman EP; and Lil Peep’s “Worlds Away” samples “Something Vague” while Young Thug’s “Me Or Us” samples “First Day of My Life.”
Bright Eyes’ expansive catalog has traversed genre, sound, and countless players; unpolished demos or fuzzy folk, electrified rock or country twang. The sharp songwriting and musicianship is all anchored in Bright Eyes’ singular ability to flip deep intimacy into something universal. For so many, for so long, listening to Bright Eyes has been like hearing yourself in someone else’s song – a moment of understanding or illumination, knowing you’re on the same team looking for a way to move through of all this shit.
And while 2020 is a year of milestones for the band, it’s also the year Bright Eyes returns, newly signed to indie label Dead Oceans. Amidst the current overwhelming uncertainty and upheaval of global and personal worlds, Oberst, Mogis, and Walcott reunited under the moniker as both an escape from, and a confrontation of, trying times. Getting the band back together felt right, and necessary, and the friendship at the core of the band has been a longtime pillar of Bright Eyes’ output. For Bright Eyes, this long-awaited re-emergence feels like coming home.
Public Enemy and Def Jam have reunited to officially release “Fight the Power (Remix 2020),” the explosive remix that opened the 2020 BET Awards in June featuring Nas, Rapsody, Black Thought, YG, Jahi and Questlove. “Fight the Power (2020 Remix),” is the first offering from the group’s forthcoming new studio album What You Gonna Do When The Grid Goes Down, set for release via Def Jam on September 25th.
As chaos envelopes the world, Manson penned the perfect prescription. The aptly titled WE ARE CHAOS was written/produced by Manson & Shooter Jennings. Rock & roll icon and painter, Manson continues to infiltrate fashion, film, and music, leaving his fingerprints on modern culture. "Making this record, I had to think to myself: Tame your crazy, stitch your suit, try to pretend that you are not an animal. But I knew that mankind is the worst of them all.”
Khruangbin has always been multilingual, weaving far-flung musical languages like East Asian surf-rock, Persian funk, and Jamaican dub into mellifluous harmony. But on its third album, it’s finally speaking out loud. Mordechai features vocals prominently on nearly every song, a first for the mostly instrumental band. It’s a shift that rewards the risk, reorienting Khruangbin’s transportive sound toward a new sense of emotional directness, without losing the spirit of nomadic wandering that’s always defined it. And it all started with them coming home.
The lead singer of beloved heartland-punk band The Gaslight Anthem, Brian Fallon steps away from that sound and into a stripped-down Americana space on his third solo album, Local Honey. Produced by Grammy-award winning producer Peter Katis (The National, Frightened Rabbit, Death Cab for Cutie), the album showcases Fallon's songwriting in small vignettes, from a loving devotional for his daughter to a vengeful murder ballad.
Medium Rarities is the first rarities collection from Mastodon covering their entire career. The compilation features one brand new song – “Fallen Torches”. It also includes a bevy of classic covers, soundtrack contributions, instrumentals, B-sides, and live recordings on one complete package for the very first time. Among an eclectic array of covers, the musicians tackle “A Commotion” by Feist, “A Spoonful Weighs A Ton” by The Flaming Lips, “Atlanta” by Butthole Surfers, and “Orion” by Metallica. It also features soundtrack cuts such as “White Walker”[from the Game of Thrones inspired mix tape] and the soundtrack song “Cut You Up With A Linoleum Knife” [Aqua Teen Hunger Force]. Meanwhile, they get under the hood with instrumental versions of “Asleep in the Deep,” “Toe To Toes,” “Jaguar God,” and “Halloween.”
Bruce Hornsby is on a roll. After taking the music world by surprise with his wide-ranging, critically acclaimed 2019 album Absolute Zero, the singer, songwriter, composer and bandleader returns with a follow-up that picks up where its predecessor left off. Non-Secure Connection features 10 new songs exploring a broad range of themes, from civil rights to computer hackers, mall salesmen to the tribulations of youth basketball.
Hornsby plays piano, of course, but the songs on Non-Secure Connection also feature Hornsby’s electric sitar and Chamberlin, along with guitars, horns, strings and subtle samples from sources as varied as minimalist composer John Cage and Scottish rockers Franz Ferdinand. Like Absolute Zero, Non-Secure Connection also features a wealth of collaborators: singer James Mercer of The Shins and Broken Bells, singer and poet Jamila Woods, Living Colour guitarist Vernon Reid, Bon Iver leader Justin Vernon and the late Leon Russell, who appears thanks to a demo that he and Hornsby recorded together more than 25 years ago.
Non-Secure Connection LP by Bruce Hornsby
New Vinyl: $79.98 Add to Cart
Prince’s iconic album,Sign O’ The Times, has been remastered for the very first time by Prince’s original mastering engineer Bernie Grundman.
- LP1-2: Sign O’ The Times album (2020 Remaster)
- LP3-4: 13x singles mixes and edits, all newly remastered
Blackbirds features songs primarily popularized by women who were the “bridge she came across on.” The album finds LaVette in top form with powerful renditions of songs that touched her personally. From Dinah Washington’s “Drinking Again,” Nina Simone’s “I Hold No Grudge” and more, they are all delivered in LaVette’s rich & raspy tone. Blackbirds honors LaVette’s heritage as an R&B singer and the women who came before her. LaVette A&R’d and sequenced the record herself – her first true curation.
Double vinyl LP pressing housed in gatefold jacket. 2020 release. Rick Wakeman, best known as keyboard player in progressive rock band Yes, releases The Red Planet - a serious return to "Wakeman Prog". Harking back to Wakeman's critically acclaimed 1973 debut The Six Wives of Henry VIII, The Red Planet features eight newly composed pieces based around a central subject matter. Rick's blown the dust off his favorite analog keyboards and along with his latest keys has used the same formula he devised when making his debut album and the equally legendary Criminal Record. Upon being asked about the expectations of his prog fans, that they are hoping he will have shoved the "Prog Fader" up to 11, he replied, "That could be a problem... as it's already at 14!!!"
Violet Bent Backwards Over the Grass is the title poem of the book and the first poem I wrote of many. Some of which came to me in their entirety, which I dictated and then typed out, and some that I worked laboriously picking apart each word to make the perfect poem. They are eclectic and honest and not trying to be anything other than what they are and for that reason I’m proud of them, especially because the spirit in which they were written was very authentic. — Lana Del Rey….The recording includes 14 poems performed by Lana Del Rey accompanied by music from Grammy Award-Winning songwriter/producer Jack Antonoff.
A never-before-released studio album vinyl by Art Blakey & The Jazz Messengers recorded at Rudy Van Gelder's Hackensack, New Jersey studio on March 8, 1959, and featuring the legendary drummer-whose centennial is being celebrated this year-along with trumpeter Lee Morgan, tenor saxophonist Hank Mobley, pianist Bobby Timmons, and bassist Jymie Merritt. The 6-song set includes 2 previously unissued compositions: "Quick Trick" and "Jimerick."
Third Man Records is excited to announce The Stooges' Live At Goose Lake: August 8, 1970. This previously-unheard, high-quality soundboard recording of the original Stooges lineup's final performance -- recorded just before the release of their earthshaking 1970 album Fun House -- will be available on vinyl, CD and digital on August 7, 2020, nearly 50 years to the day after the performance.
Single LP on black vinyl in single jacket w/ euro sleeve & matte coating. Includes coupon for full download
An explosive album of pain, rage and fear with some of the most direct and confrontational lyrics of his four-decade career. According to Bob, “This is the catchiest batch of protest songs I’ve ever written in one sitting.”
ROGER WATERS: US + THEM, chronicles the acclaimed 2017-2018 tour of the iconic Pink Floyd artist. As the founding member, lyricist, composer and creative force behind Pink Floyd, US + THEM presents Waters powerful music in stunning form and highlights its’ message of human rights, liberty and love. Based around his acclaimed, sold-out US + THEM worldwide tour of 2017-18, comprising a total of 156 shows to 2.3 million people across the globe, it features classic songs from The Dark Side of the Moon, The Wall, Animals, Wish You Were Here as well as his most recent album, Is This The Life We Really Want?
Waters powerfully demonstrates that he is at heart, a musical activist and one of the most passionate political commentators of his time. He has dedicated his life to fighting against those who seek to control our lives and destroy our planet. Welcome To The Machine and Another Brick In The Wall Part II, are a stark reminder of the bleak warnings that he gave decades ago about alienation, displacement, greed, suffering, destruction and loss. And yet the humanity of the songwriter cannot be more plainly seen than in Wish You Were Here, because, although he presents a grim picture of the state of the world, ultimately his message is one of hope through unity and love.
Indiana’s Hoops released their critically-acclaimed debut album Routines in 2017, and, soon after, announced an indefinite hiatus. The trio - friends, singers, and multi-instrumentalists Drew Auscherman, Kevin Krauter and Keagan Beresford - had been making music together for almost half of their lives, but the band had begun to feel more like a burden than an outlet, so they decided to call it quits. “I think we had lost a lot of steam,” explains Krauter. “Hoops wasn’t moving forward organically. It was being dragged along.” Following a short but necessary break, during which the band had the opportunity to explore their own creative endeavors, Hoops have reunited and announce their incredible sophomore album today. Recorded at Bloomington’s Russian Studio, the studio that had been home to L’il Bub (RIP), and produced by the band’s friend Ben Lumsdaine, Halo is an album defined by musical exuberance, full of gratitude and generosity, and, simply, sounds like a lively conversation amongst close friends.
New Vinyl: $124.98 Add to Cart
Another prized jewel in the Rolling Stones' unmatched catalogue is restored to its full glory. This limited edition Deluxe vinyl box set features the new stereo album mix, sourced from the original session files + Rarities & Alternative mixes including three previously unreleased tracks, Scarlet, All The Rage & Criss Cross. Mastered at half speed by Miles Showell at Abbey Road Studios, London. Also included is The Brussels Affair, recorded live at the Forest National Arena in October 1973 and pressed on 180g vinyl.
Also Available: Remastered Catalogue + Living In A Ghost Town
‘Rough and Rowdy Ways’ is Bob Dylan’s first album of original material in 8 years and his first since becoming the only songwriter to receive the Nobel Prize for Literature, in 2016. Its 10 tracks include the three new songs released this spring: the album’s lead-off track, “I Contain Multitudes,” the nearly 17-minute epic “Murder Most Foul” and “False Prophet.”
Thirty Tigers artist Reckless Kelly's release new album 'American Jackpot / American Girls' This is the follow up to 2016's 'Sunset Motel', this new collection of songs from songwriter Willy Braun finds the band covering topics ranging from the duality of the American Dream to the simple things such as American Baseball and deep family ties.
- Focus Track "American Girls " - "I Only See You With My Eyes Closed" to be worked to Texas and Americana radio formats. - Working on extensive plans for visual creative content to tie into IG tracks and the overall narrative behind this two album set. The Grammy nominated Backstage Design Studio is overseeing creative - US press campaign being led by Joe Sivick and Missing Piece Group - Known for their impressive work ethic on the road, the band will be supporting this new album with extensive US touring.
After a legendary career as the enigmatic frontman for Pulp, and a successful run of solo albums and collaborations, Jarvis Cocker debuts his first new full length album since 2009 with musical project JARV IS' JARV IS... an ongoing live experience because life is an ongoing live experience. THIS IS NOT A LIVE ALBUM'it's an ALIVE ALBUM. Thanks for listening.
Vinyl LP pressing. 2020 release. Love Letter is the legendary saxophonist Jimmy Heath's stunningly elegant last testament, a take on seminal ballads. Includes songs written by Billie Holiday, Dizzy Gillespie and Kenny Dorham in addition to original material. Partially recorded in New York in the days preceding his 93rd birthday, Jimmy presided over a brilliant cast of colleagues and friends. The result is pure Heath: polished, inventive, candid, beautiful. Guest artists include Wynton Marsalis, Gregory Porter, and more.
The Third Gleam marks a return to the Avett Brothers’ roots, both sonically and with Seth & Scott playing as a trio with longtime bassist Bob Crawford. The eight tracks capture their personal experiences and perspectives on undeniably timely, universal themes: isolation, gun violence, incarceration, historical prejudice, mortality, resilience, love, hope, redemption. 12 years in the making, this is the third installment of the brothers’ ongoing Gleam series.
Alphabetland is the eighth studio album by American punk rock band X. Released digitally in April 2020, it is their first studio release in 27 years and the first with their original line-up in the past 35 years. The release has received positive reviews from critics. Alphabetland was recorded across several sessions in 2019 and 2020 with producer Rob Schnapf, who has previously worked with Elliott Smith, Beck, and Joyce Manor.
Even though these songs date from a time when the band's only songwriters were vocalist Exene Cervenka and Doe, all tracks are credited to all four members of X and the recording sessions coincided with the individual musicians improving their relationships with one another.
After years spent looking out at landscapes and loved ones and an increasingly unstable world, Rolling Blackouts Coastal Fever have turned their gaze inward, to their individual pasts and the places that inform them, on their second full-length, Sideways to New Italy. Led by singer-songwriter-guitarists Tom Russo, Joe White and Fran Keaney, the guitar-pop five-piece returned home to Australia after the relentless touring schedule that came following their critically regarded 2018 debut Hope Downs. Feeling the literal and metaphorical ground under their feet had shifted, the band began grasping for something reliable. For Keaney, that translated into writing "pure romantic fiction" and consciously avoiding the temptation of angsty break-up songs, while Russo looked north to a "bizarre place" that captured the feeling of manufacturing a sense of home when his own had disappeared. The New Italy of the new album’s title is a village near New South Wales’ Northern Rivers – the area drummer Marcel Tussie is from. A blink-and-you'll-miss-it pit-stop of a place with fewer than 200 residents, it was founded by Venetian immigrants in the late-1800s and now serves as something of a living monument to Italians' contribution to Australia, with replica Roman statues dotted like alien souvenirs on the otherwise rural landscape. The parallels to the way the band attempted to maintain connections and create familiarity during their disorienting time on the road was apparent to Russo. "These are the expressions of people trying to find a home somewhere alien: trying to create a utopia in a turbulent and imperfect world." The record's geographic identity emerged from the band losing their grip on their own, whether that was through the pressure of touring, the dissolution of relationships, a frustrating distance from their daily lives – or some combination of all three – that came from being slingshotted all over the world, playing sold-out headline tours and festivals including Coachella, Governors Ball, Primavera Sound, All Points East, and Pitchfork Music Festival. The notion of crafting, in Russo’s words, “a utopia of where your heart’s from,” permeates Sideways to New Italy, in which early attempts at writing big, high-concept songs about The State of the World were abandoned in favor of love songs, and familiar voices and characters filter in and out, grounding the band's stories in their personal histories. There’s something comforting, too, in knowing the next time they’re buffeted from stage to stage around the world, they’ll be taking the voices of their loved ones with them, building a new totem of home no matter where they end up.
LP is 150 Gram and includes a download insert
A new studio album from the time-defying legend who has won Grammys for his last two albums (2019’s Ride Me Back Home just won Best Solo Country Performance and 2018’s My Way won Best Traditional Pop Album). While his last few albums have focused on facing the reality of mortality and crying or laughing in its face, this one is focused much more on celebrating the now and embracing life, love and friends & family. The album includes new songs written by Willie and long time producer Buddy Cannon combined with new songs written by Chris Stapleton and Toby Keith plus a handful of classic songs that Willie interprets his way, all performed with an amazing band of Nashville gunslingers.
“One of the most astoundingly consistent discographies in the last 20 years of rock music” - The FADER
“Hearing a band grow up without losing sight of what made them so vital in the first place... It’s worth cherishing.” - Pitchfork
INCLUDES TRACKS FEATURED ON EVERYTHING HITS AT ONCE: THE BEST
OF SPOON AND RSD 2020 RELEASE ALL
THE WEIRD KIDS UP FRONT
Preorder the Black Vinyl !! Current orders available after 5/15/2020.
Vinyl LP pressing. 2020 release. His last album - 2017's The Nashville Sound - a #1 album on the Billboard Folk, Independent, Country and Rock albums charts, also received Best Americana Album at the Grammys, Album Of The Year At The Americana Honors & Awards and was nominated at the CMA Awards for Album Of The Year. Since then, he has collaborated on the soundtrack for A Star Is Born, the debut album by the Highwomen, and Sheryl Crow's latest album Threads. He also released a live album, Live From the Ryman.
Set My Heart On Fire Immediately is the fifth studio album from Perfume Genius that will be released May 15th on Matador Records. It sees artist and musician Mike Hadreas re-teaming with GRAMMY-nominated producer Blake Mills and features contributions from musicians Jim Keltner, Pino Palladino and Matt Chamberlin. It was recorded in Los Angeles, where Perfume Genius settled in 2017 with longtime partner and musical collaborator Alan Wyffels. 'I wanted to feel more open, more free and spiritually wild,' says Hadreas, 'and I'm in a place now where those feelings are very close-- but it can border on being unhinged. I wrote these songs as a way to be more patient, more considered -- to pull at all these chaotic threads hovering around me and weave them in to something warm, thoughtful and comforting.'
After the assassination of Dr. Martin Luther King, Jr. In 1968, racial tensions across the country rose. Palo Alto, a largely white college town in Cali, wasn't immune. Danny Scher, a junior at the high school, had a dream to have Thelonious Monk perform and help bring about racial unity the community while raising funds for the International Committee. After many twists and turns, the triumphantly successful concert eventually happened. Now available on CD; Softpak w/ booklet & foldable poster.
ALL THEM WITCHES have built a career out of playing music that can not be pigeonholed into one specific genre. NOTHING AS THE IDEAL was recorded in Studio 2 at the world famous Abbey Road with the help of longtime mixing engineer Mikey Allred. The history and vibe of that setting laid the groundwork for what was to come. The band’s signature psychedelic blues riffs, relentless drums, melodic bass lines and non-linear lyrics are all present. The resulting album is a thought provoking head banger that is the band’s most cohesive album to date.
"Live at the Roundhouse” is unlike any other concert film connected with Pink Floyd. It’s the nearest thing you can get to a time machine, transporting you back to the very earliest days of the band. Nick Mason, the only band member to have played on all of Pink Floyd’s studio albums, returns to the group's earliest records, joined in the line-up by Gary Kemp, Guy Pratt, Lee Harris and Dom Beken.
Nick Mason’s Saucerful of Secrets took the drummer back to clubs for the first time in 1967, then to theatres, across the UK, North America and Europe, playing only music his old band had recorded before The Dark Side of the Moon.
Captured from the band’s celebrated shows at London’s Roundhouse, where Pink Floyd played some of their most revered early shows in the 1960s, this release features a uniquely thrilling setlist including songs hailing from Syd Barrett’s time with the band. Only four songs from this eclectic roster have ever previously appeared on official live releases by Pink Floyd or its members. Everything else is being experienced for the first time since their original live performances.
Phoebe Bridgers doesn’t write love songs as much as songs about the impact love can have on our lives, personalities, and priorities. Punisher, her fourth release and second solo album, is concerned with that subject. To say she writes about heartbreak is to undersell her blue wisdom, to say she writes about pain erases all the strange joy her music emanates. The arrival of Punisher cements Phoebe Bridgers as one of the most clever, tender and prolific songwriters of our era.
Bridgers is the rare artist with enough humor to deconstruct her own meteoric rise. Repeatedly praised by publications like The New Yorker, The New York Times, GQ, Pitchfork, The Fader, The Los Angeles Times and countless others, Bridgers herself is more interested in discussing topics on Twitter, deadpanning meditations on the humiliating process of being a person, she presents a sweetly funny flipside to the strikingly sad songs she writes. Fittingly, Punisher is fascinated with, and driven by, that kind of impossible tension. Whether it’s writing tweets or songs, Bridgers’s singular talent lies in bringing fierce curiosity to slimy and painful things, interrogating them until they yield up answers that are beautiful and absurd, or faithfully reporting the reality that, sometimes, they are neither.
Bridgers pulls together a formidable crew of guests, including the Julien Baker, Lucy Dacus, Christian Lee Hutson and Conor Oberst as well as Nathaniel Walcott (of Bright Eyes), Nick Zinner (of the Yeah Yeah Yeahs), Jenny Lee Lindberg (of Warpaint), Blake Mills and Jim Keltner as well as her longtime bandmates Marshall Vore (drums), Harrison Whitford (guitar), Emily Retsas (bass) and Nick White (keys). The album was mixed by Mike Mogis, who also mixed Stranger In The Alps.
On the album’s epic, freewheeling closer, “I Know The End,” Bridgers orchestrates wails and horns, drums and electric guitar into a sumptuous doomsday swirl, culminating in her own final whispered roar. This is Punisher in a nutshell: devastating elegance punctuated by a moment of deeply campy self-awareness.
Monovision is the new album from Grammy Award winning artist Ray LaMontagne. This 10 track collection is Ray’s his 8th studio album, and finds the artist in the multiple roles of songwriter, singer, producer, engineer, as well as performing all the instruments on every track. The first songs to be released as singles from Monovision are “We’ll Make It Through,” and “Strong Enough.”
All of Ray LaMontagne’s albums, including Monovision – show a vast catalog of music where the artist continues to push himself in different directions, yet with a uniquely signature sound that could only be his. Monovision is available on CD, VINYL, and digitally.
Making A Door Less Open, the new album from Car Seat Headrest and the first set of brand-new songs since 2016's Teens Of Denial, is set for release on May 1. The album will be available on vinyl and CD featuring distinct tracklists and mixes for each format. Created over the course of four years, Making a Door Less Open is the result of a fruitful 'collaboration' between Car Seat Headrest, led by Will Toledo, and 1 Trait Danger, a CSH electronic side project consisting of drummer Andrew Katz and Toledo's alternative persona, 'Trait.' To realize this, the band recorded the album twice: once live with guitars, drums and bass, and once in a MIDI environment using purely synthesized sounds. During the mixing process, the two approaches were gradually combined using elements of each, with additional overdubs.
New CD: $38.98 Add to Cart
Up All Nite With Prince: The One Nite Alone Collection brings the electrifying power of Prince’s 2002 studio and live releases together in one stunning package. This 4CD/1DVD set includes One Nite Alone…, Prince’s striking piano-and-vocal studio album (in its first commercial CD release); the double-disc One Nite Alone…Live! featuring recent jams (“Muse 2 The Pharaoh,” “1+1+1 Is 3”) and classic favorites (“Raspberry Beret,” “Nothing Compares 2 U,” “When U Were Mine”); the high-energy One Nite Alone…The Aftershow: It Ain’t Over! with guest appearances by George Clinton and Musiq Soulchild; and the Live At The Aladdin Las Vegas DVD. The ultimate Prince concert experience is here!
New CD: $259.98 Add to Cart
As the thirteenth release in the Paul McCartney Archive Collection, this numbered, limited seven-disc (5CD/2DVD) Deluxe Edition Box Set is comprised of the original album remastered at Abbey Road Studios, 32 bonus audio tracks including unheard home recordings and demos, alternative studio recordings, rough mixes and B-sides including selections from Oobu Joobu parts 1-6, Flaming Pie At The Mill CD (Paul’s hour-long tour of his studio), video content including the In The World Tonight documentary, original music videos, EPKs, interviews, performances and behind-the-scenes material, a 128-page book containing previously unpublished images by Linda McCartney, expanded album artwork from the archives and the story behind the album written by Chris Heath – including track-by-track information, recipes and new interviews with Paul, Ringo Starr, Jeff Lynne, Steve Miller and key album personnel, studio notes, handwritten lyrics, the 1997 Flaming Pie issue of Club Sandwich, the official newspaper of the Paul McCartney Fan club, downloadable 24bit 96kHz HD audio, and more.
- Numbered cloth wrapped clamshell box
- CD portfolio containing 5CDs and 2DVDs
- 128-page book containing previously unpublished images by Linda McCartney, expanded album artwork from the archives, and the story behind the album – including track-by-track information, recipes, and new interviews with Paul McCartney, Ringo Starr, Jeff Lynne, Steve Miller, and key album personnel, written by Chris Heath.
- Facsimiles of John Hammel studio notebook, Club Sandwich Magazine, Flaming Pie plectrum and envelope containing handwritten lyrics for 8 tracks and The Flame newspaper
Flaming Pie is also available on 180g black vinyl 2LP, 3LP, CD, Collector's Edition formats.
* Bonus tracks are exclusive to the first pressings of CDs and Vinyl
Featuring writing and lead vocal contributions from all four members, The Jayhawks’ extraordinary new album, XOXO, is the most diverse and wide-ranging in the group’s storied history. Rather than marking a sonic departure, though, the collection signals a sharpening of focus for the band, an elevation in understanding of who they are and what they do best. In classic Jayhawks fashion, the songs here mix the influence of American roots music with British invasion and jangly power-pop, but there’s a newfound vitality at play, as well, an invigoration of confidence and energy that could only come with the injection of fresh blood. The result is an album that, much like the band’s lush harmonies, brings multiple distinctive voices together into a singular whole, a collection that, ironically enough, finds unity in individuality and identity in reinvention.
“This album feels like a new lease on life for us,” explains Louris. “I don’t know what the future holds, but this band is full of great songwriters who deserve to be heard, and my only regret is that we didn’t do something like this sooner.”
Los Angeles-based guitarist, composer, and producer Blake Mills announces forthcoming album Mutable Set. Much of the material was co-written with acclaimed singer-songwriter Cass McCombs, and this is Mills' first album of solo music with lyrics since 2014's "Heigh Ho" and second release under New Deal Records / Verve Label Group.
As the world greeted the promise of a new millennium, even Prince was experiencing a great sense of transformation. In 2000, he announced the reclamation of his birth name after seven years as an unpronounceable symbol. In 2001, after a period of study and debate with his friend and mentor Larry Graham (former bassist for Sly and The Family Stone), Prince converted to the Jehovah’s Witness faith. These transformations bore fruit with the release of The Rainbow Children at the end of 2001. Billed as “controversial” in its press materials for its open spiritual message, the jazz-inspired record was Prince’s first fully independent release, issued without any major label backing. One of its songs, “The Work, Pt. 1,” was released by Prince as a free download on the file-sharing service Napster; this move, along with direct-to-consumer stream and download options on the NPG Music Club, made Prince a digital music visionary. The Rainbow Children is a continued favorite among Prince’s most fervent admirers due to its complex musical narrative, its use of live drums and a full horn section, and the striking album art by artist Cbabi Bayoc, which still hangs in the hallowed halls of Paisley Park today. The CD has long been out of print and the original vinyl was incredibly limited and copies fetch hundreds of dollars. This new double LP vinyl edition comes on limited edition crystal clear vinyl packaged in gatefold packaging along with an exclusive Prince rainbow slipmat.
12" Vinyl Standard jacket with printed inner sleeve
Barely a year after the release of their acclaimed debut album 'Dogrel' (which charted Top 10 in the UK, earned a Mercury Prize nomination, Fallon performance, and #1 Album of the Year positions for BBC 6Music and Rough Trade), Fontaines DC have returned with an intensely confident, patient, and complex sophomore album. 'A Hero's Death' arrives battered and bruised, albeit beautiful - a heady and philosophical take on the modern world, and its great uncertainty.
‘Rough and Rowdy Ways’ is Bob Dylan’s first album of original material in 8 years and his first since becoming the only songwriter to receive the Nobel Prize for Literature, in 2016. Its 10 tracks include the three new songs released this spring: the album’s lead-off track, “I Contain Multitudes,” the nearly 17-minute epic “Murder Most Foul” and “False Prophet.”
Notes On A Conditional Form is The 1975's highly anticipated fourth studio album. Available May 22nd, the 22-track epic includes hit singles "People" and "Me & You Together Song". The band worked to use as little plastic as possible in the manufacturing of the product. Double LP pressed on clear-colored vinyl, housed in a 100% recycled and recyclable sleeve.
New Vinyl: $69.98 Add to Cart
Celebrating 40 years of Rush's Permanent Waves, deemed the poignant moment the band reinvented themselves and their sound. The 3LP Deluxe Edition features original vinyl packaging with a newly designed gatefold jacket for the two discs of live bonus tracks (from the 1980 World Tour). With a 20-page booklet of reimagined artwork by original designer Hugh Syme & unreleased band archive photos. Housed in a slipcase. Features hits like "The Spirit Of Radio" and the cinematic "Jacob's Ladder".
Recorded in Hull, UK in August of last year, MTV Unplugged showcases Liam Gallagher’s solo career highlights alongside Oasis classics in new arrangements featuring backing choir, a string section and more. The MTV special aired globally in September in celebration of the release of his second solo album WHY ME? WHY NOT and includes the solo hits “Wall of Glass” and “One of Us” as well as Oasis’ global smash single “Champagne Supernova”.
Rated PG is a collection of Peter Gabriel songs from the movies. Having always loved the combination of film and music (aged 17 he gave up a place at film school to pursue a career in music) Peter Gabriel’s first opportunity to really marry these twin interests came when he was asked to create the music for Alan Parker’s film Birdy in 1985. Further film work, including his music for Martin Scorsese’s The Last Temptation of Christ (that became the album Passion) and the soundtrack to Philip Noyce’s film Rabbit-Proof Fence (released as the album Long Walk Home), has continued to feed that interest. “I have always loved film and any chance I have been offered to work with good film projects and good directors I have jumped at. This is a mixture of songs that have been written for specific films, and existing songs that found an appropriate place in a story. Consequently, there is a mix of different styles and moods.” – Peter Gabriel Alongside those longer soundtrack commissions Peter Gabriel has also regularly contributed songs to a diverse range of movies and Rated PG explores this other connection forged by Peter between his music and film. Rated PG is an opportunity to bring together in one place, for the first time, a selection of songs written especially for, or used to notable effect in, movies and includes new and previously unreleased versions, otherwise unavailable songs and a brand new track. Originally released for Records Store Day in April 2019, where the album was a single LP picture disc in a die-cut sleeve the album is now being released as a CD and standard black vinyl LP. The LP has been half-speed mastered by Matt Colton at Metropolis Mastering and comes as 180g vinyl and a hi-res download code.
Third Man Records is proud to announce the first new LP in almost seven years from Brendan Benson. DEAR LIFE arrives via Third Man Records on Friday, April 24.
Benson’s seventh solo album and first full-length release via Third Man, DEAR LIFE is heralded by the rhapsodic first single, “Good To Be Alive.” “’Good To Be Alive’ is kind of weird, to be honest,” Benson says, “But that’s what I’m most excited about. It says a lot about this record, it’s almost got a split personality or something. It’s totally bizarre – I still sit back and listen to it, thinking, that’s so cool! It’s like somebody else played it, it’s not the same old me.”
Benson finds himself in an enviable spot as he enters the third decade of a remarkably creative, consistently idiosyncratic career – an accomplished frontman, musician, songwriter, producer, band member, husband, and dad. DEAR LIFE marks this consummate polymath’s most inventive and upbeat work thus far, an 11-track song cycle about life, love, family, fatherhood, and the pure joy of making music. Produced and almost entirely performed by Benson at his own Readymade Studio in Nashville, the album sees the Michigan-born, Nashville-based artist – and co-founder, with Jack White, of The Raconteurs – reveling in a more modernist approach than ever before, fueled by a heady brew of cannabis, hip-hop, and a newly discovered interest in software drum programming. The result is an untapped playfulness that elevates expertly crafted songs like the future funk-fueled opener, “I Can If You Want Me To,” and the ecstatic “Richest Man Alive” with voluble arrangements, elastic grooves, and incandescent power. Imbued with revitalized ambition and confidence, DEAR LIFE is Brendan Benson at his very best.
“There's something about this record,” Benson says. “A friend of mine called it ‘life-affirming.’ I thought it was a joke at first but then realized, well, it’s about life and death for sure. I don’t know if that’s positive or optimistic or whatever, but that's what's going on with me.”
Chronology: 2006-2018 is a collection of hits, fan favorites, additional b-sides, rarities and bonus tracks, culled from the complete studio album recordings of The Sword. Features 12 previously unreleased tracks. 3-CD Box Set with individual CD sleeves, housed in a two-piebox with lift-top, casebound book style with 76-pages.
"It was in winter 18/19 - I flew to Montreal to meet with Tim Kingsbury, Richard Reed Parry, Craig Silvey and Teddy Impakt at Le Studio Du Arcade Fire. It was a fine time with a dream team in a city I love. Winter in beautiful Quebec. Les semaines les plus froides de ma vie. I had a bunch of demos that were inspired by migration stories I had heard from friends or read in newspapers while on tour in Europe and North America. I remember being struck by the similarities of the stories I heard from both continents and how really only the names of the powerful and the powerless had changed - thinking, "Is this the future? Is this our future?"Some time went by, the stories wove together and I remember them now closer to characters in a dream of how people could treat each other than any kind of front-page news realism. I think music subconsciously - whether writing or listening - is a filter for me - helping to process all the bad news into something new to build from - some records to me are like self-fulfilling prophecies - visualizing change to wish something into being - those records inspired this one." - M. Ward
WOMB is Purity Ring's long-awaited third album, following the much-loved and extremely influential Shrines (2012) and Another Eternity (2015). The 5-year gap between albums has only served to distill the gorgeous and ethereal Future Pop for which the band is known.
Norah Jones’ seventh solo studio album Pick Me Up Off The Floor features collaborators from Brian Blade to Jeff Tweedy, and grew out of her acclaimed singles series of the past 2 years as the songs she hadn’t yet released unexpectedly congealed into an album of tremendous depth and beauty connected by the sly groove of her piano trios, lyrics that confront loss and portend hope, and a mood that leans into darkness before ultimately finding the light.
Frank Zappa And The Mothers -"The Mothers 1970" - A 4-CD collection commemorating the 50th anniversary of the 1970 Mothers with 70 unreleased tracks. Personnel includes Mark Volman & Howard Kaylan (Flo & Eddie), George Duke, Ian Underwood, Jeff Simmons and Aynsley Dunbar. Featuring unheard studio sessions from Trident Studios in London England with engineer Roy Thomas Baker, and historical live performances mostly captured by Zappa's own tape recorder. Clam Shell Box with 4 discs, booklet and a button.
"I want nothing more than to be alone," Emily Kempf sings early on Flower of Devotion, the third album by Chicago trio Dehd. It's a startling admission coming from a songwriter who, just a year ago on Dehd's critically acclaimed Water, wrote eloquently about the joys and pains - more than anything, the necessity - of love, compassion, and companionship. But then, "admission" isn't really the right word here, given the stridency of Kempf's tone. "Loner" is a declaration.
The record ups the ante on Dehd's sound & filters in just enough polish to bring out the shining and melancholy undertones in Jason Balla and Emily Kempf's songwriting, even as it captures them at their most strident. Balla's guitar lines at times flirt with ticklish cosmic country, while at others they reflect the dark marble sounds of Broadcast. Kempf, meanwhile, establishes herself as a singer of incredible expressive range, pinching into a high lonesome wail, letting loose a chirping "ooh!," pushing her voice below its breaking point and letting it swing down there. When she and Balla bounce descending counter-melodies off one another over McGrady's one-two thumps, or skitter off over a programmed drum pad, they sound like The B-52s shaking off heartache.
What makes Flower of Devotion so impressive is how its creation seems to have strengthened its creators, both as individuals and as unit, even as they've stared down their own limitations. It's also striking just how much fun they seem to be having in the process. "It's okay to be lighthearted in the face of despair," Kempf says. It's a theme that runs through the album, from the opening back-and-forth build of "Desire" to the click-clacking chorus of "Haha," which finds them deflating their own history. Flower of Devotion was recorded in April and August of 2019 in Chicago. It will be released on Fire Talk Records on July 17th 2020.
Black Pumas has announced their highly anticipated debut album set for release on June 21. The band is led by the creative partnership between Grammy Award-winning guitarist / producer Adrian Quesada and 27-year-old songwriter Eric Burton. Burton is a relative newcomer who arrived in Austin in 2015 after busking his way across the country from Los Angeles, while Quesada has a storied reputation for playing in bands like Grupo Fantasma and Brownout.
After the two connected via friends in the Austin scene, they began to collaborate on a new sound that transmutes soul into something idiosyncratically modern. Reminiscent of Ghostface Killah and Motown in equal measure, this original sound ensured that Black Pumas’ weekly residency at C-Boys quickly became “the hottest party in town” (Austin-American Statesman).
Lamentations is a 10-song rumination on the current state of the world around me. I was raised in the faith and the book of Lamentations was always one that caught my attention. A broken man crying out to the heavens, asking why God sat back and let his country fall apart. Questioning the sheer existence of a higher power in the lowest of times. How could an all loving God sit back and let an entire nation’s cry for help go unanswered? I saw many parallels in that story and the current climate of this country in 2020. There are a large group of people who were promised something in 2016. They are still waiting for those promises to be fulfilled. This is a record about the things that break people. Religion, politics, addiction, love, money, family, history. I believe it is an empathetic look at the other side. A group of stories about losing everything and still finding the will to stand back up and fight for the things that matter the most. - BJ Barham
Paul Weller’s 15th solo album, On Sunset, is a soul album. At the same time it’s an electronic album, an orchestral album, an album packed with classic pop songs and heart-tugging ballads, and an album filled with touches of experimentalism. It’s also an album that sees Weller taking a rare glance into the rear-view mirror as he speeds into the 2020s.
When asked to describe himself, Whitmer Thomas—comic, musician, skateboarder, infamous Blink182 fan—will tell you, “I’m always gonna be the one whose mom called him ‘the Golden One,’ right before she died.” This is where his debut HBO comedy special, The Golden One, finds Whitmer: age thirty, investigating this sense (curse?) of destiny-as-identity. It’s been thirteen years since he left Alabama for LA, becoming a linchpin for LA’s young, independent comedy scene with Power Violence, the monthly show he hosted with friends. But he became haunted by the question: had he already peaked, just like his mom, singer in a local band with big ambitions that never made it out of the Flora-Bama Lounge in Gulf Shores? Rather than shy away from all that messy self-mythology, Whitmer tapped the source of it all through writing this one-man show featuring his own original music. Songs from The Golden One, a companion album of songs from the special, features Whitmer’s darkwave bangers, synthesizing relatable content: millennial anxieties, therapy-speak jokes, and the annals of his own childhood tragedies. Songs from The Golden One feature ten cuts of borderline-John Maus cosplay with spasms of pop-punk absurdity. Thomas uses the gothy, nasal vocal drone as a tool of comic detachment to cover the funny-’cause-its-true territory of awkward sex, crippling insecurity, the shame of ambition, and the long tail of abandonment traumas. Each song is a capsule of initial therapy breakthroughs: those realization zingers where suddenly it all makes sense how each fucked variable from then makes up the weird shit of now. When you see it all for what it is, it looks like some sick, clever joke from the universe, driving you desperate to revise the comedy so that if you have to be reality’s punchline, at least you can write the jokes. Original tracks from the special include the shimmering, synthy euphoria of “Eat You Out,” a glorious admission to performance anxiety and the ol’ magician’s cloak of cunnilingus move. There’s “The Codependent Enabler,” a whole jungle gym of toxic relationship rationale where “I can only get it up if you are down,” and the sadboy sobriety anthem “Partied to Death,” about when you’re young in LA and you have to tell people that you’re not “Cali sober for wellness,” you’re sober because your mom actually died from addiction. At first pass, Whitmer’s special and album make a relevant, hilarious articulation of one tragic childhood, of the messiness of masculinity, of the timeless qualms of being broke with a dream in Los Angeles, and the humiliation inherent in having “a dream” at all. But in flashes of unexpected weirdo wisdom, Whitmer weaves a deeper story of a person finding reconciliation and forgiveness while finding his own self and voice. He faces his darkness with darkwave, writing the story of his objectively insane youth through a Venn diagram of cool guy music, goofy dude jokes, and sensitive boy reflections that hit in a way that feels bigger than the sum of its parts. Whitmer will say that he made The Golden One out of desperation, but there’s something about it that feels a lot more like destiny.
Amy Ray and Emily Saliers are Indigo Girls. Together they write, arrange, record and perform music which and have become a vital part of the lives of their worldwide devoted fanbase. Their first new studio album in 5 years, Look Long is a testament to their storied 40-year career. Produced by John Reynolds at Peter Gabriel's Real World Studio in England. Features 11 brand new tracks, all written by the pair. 2-LP in double-pocket gatefold packaging with poster.
New Vinyl: $72.98 Add to Cart
After The Rainbow Children release and before the release of the One Nite Alone… studio album, Prince embarked on a tour of the same name. However, as opposed to the intimacy of the largely solo One Nite Alone… album, this upbeat trek through theaters in North America featured the full talents of Prince’s ever-expanding New Power Generation band. Members at the time included drummer John Blackwell, keyboardist Renato Neto and longtime collaborators like bassist Rhonda Smith and a horn section that included saxophonists Eric Leeds, Candy Dulfer and Maceo Parker. Taken from the highlights of 9 different shows in March and April of 2002 and clocking in at over 2 hours, the resulting 4 LP collection One Nite Alone…Live! was the first official live album of Prince’s career and the 27 tracks included feature selections from The Rainbow Children as well as Prince’s extensive back catalog, played with the full NPG as well as several solo piano excursions (“When U Were Mine,” “Raspberry Beret,” “Adore,” “The Beautiful Ones,” “Nothing Compares 2 U”). This release marks the first time that it’s available on vinyl.
Sleaford Mods are set to continue their onslaught into 2020 with the release of All That Glue, a collection of songs spanning the last seven years of the bands career; an array of crowd pleasers, B sides, unheard tracks and rarities for fans and the curious, released via Rough Trade.
Limited orange colored ten-inch vinyl pressing. Following the band's Global Citizen performance, The Rolling Stones have released a new song, "Living In A Ghost Town". This is the band's first new material in eight years. The track was written by Mick and Keith which was created/recorded in Los Angeles and London while in isolation. An official music video showcasing empty cities around the world premiered recently.
New Vinyl: $32.98 Add to Cart
This 2 LP release documents Prince’s mythic late-night after show performances. Never available as physical stand-alone release and only available originally on CD as part of the One Nite Alone box set exclusive to NPG Music Club members, the album features an hour of amazing jams and includes guest appearances by George Clinton and Musiq Soulchild.
As the world greeted the promise of a new millennium, even Prince was experiencing a great sense of transformation. In 2000, he announced the reclamation of his birth name after seven years as an unpronounceable symbol. In 2001, after a period of study and debate with his friend and mentor Larry Graham (former bassist for Sly and The Family Stone), Prince converted to the Jehovah’s Witness faith. These transformations bore fruit with the release of The Rainbow Children at the end of 2001. Billed as “controversial” in its press materials for its open spiritual message, the jazz-inspired record was Prince’s first fully independent release, issued without any major label backing. One of its songs, “The Work, Pt. 1,” was released by Prince as a free download on the file-sharing service Napster; this move, along with direct-to-consumer stream and download options on the NPG Music Club, made Prince a digital music visionary. The Rainbow Children is a continued favorite among Prince’s most fervent admirers due to its complex musical narrative, its use of live drums and a full horn section, and the striking album art by artist Cbabi Bayoc, which still hangs in the hallowed halls of Paisley Park today. The CD has long been out of print and the original vinyl was incredibly limited and copies fetch hundreds of dollars.
Double vinyl LP pressing. 2020 release. Women in Music Pt. III is the third studio album by American band HAIM. Released through Columbia Records. It was produced by Danielle HAIM, Rostam Batmanglij and Ariel Rechtshaid, and was preceded by the singles 'Summer Girl', 'Now I'm in It' and 'Hallelujah'.
New Vinyl: $26.98 Add to Cart
Prince would follow The Rainbow Children with the stunning One Nite Alone… in May 2002. Featuring almost nothing but Prince’s acoustic piano and vocals (save for occasional rhythm from drummer John Blackwell and the ambient cooing of Divinity and Majesty, Prince’s pet doves), this intimate album offers favorites like “U’re Gonna C Me” and a cover of “A Case Of U,” written by one of Prince’s idols, Joni Mitchell. The original album never had a wide physical release as the CD was an exclusive to Prince’s NPG Music Club members and this marks it’s first time on vinyl.
Between The Buried And Me is the self-titled first studio album by the GRAMMY-nominated progressive metal five-piece. Formed in 2000, the band originally released this album with Lifeforce Records in 2002 and soon after gained the attention of iconic Chicago-based record label Victory Records. Victory signed the band and re-released the record as an enhanced CD in 2004. Described as “one of the fiercest albums in the hardcore community” by AllMusic, this formative album set the band up to be a key player in the evolving hardcore scene. While the album was praised for its brave blend of mathcore, grindcore and death metal elements into their already unique sound, the lyrics also set them apart from their peers. The band addressed their thoughts on controversial topics ranging from politics to organized religion – issues not often addressed in this music scene at this time. This pressing has been newly remixed and remastered to commemorate the band’s 20th anniversary.
Corb Lund embraces his rich and rustic western heritage with a style that’s unique, honest and resolute, while touching on a range of cowboy themes — from rough-and-tumble tales of lawless frontier saloons, to the sombre realities of running a modern family ranch. As a descendant of many generations of rodeo contestants and ranchers, he sings about a life that he and his ancestors have lived themselves, paired with his quick-witted, wry observations of today’s world. As a result of his heritage and the ten years he spent touring the world with his indie rock band, Corb’s writing resonates emphatically with rural and urban audiences alike. It’s a classic sound with a twist, something of a rarity these days, but one that evokes the spirit of the American West, past and present.
Corb Lund’s 11th studio album, Agricultural Tragic, finally puts a name to the genre he’s been embodying all of these years.
Enhanced with PlayARt - Augmented Reality
'The man singing these songs isn't exactly the same man who wrote them,' says Pokey LaFarge of Rock Bottom Rhapsody, his eighth and latest studio release. 'This album is about the story of who I used to be.' In early 2018, LaFarge ' searching for the sort of artistic freedom and inspiration he wasn't finding in the Midwest ' relocated from his longtime home base of St. Louis, Missouri, to Los Angeles, California. New songs came quickly to LaFarge in his new environment, but new temptations soon found him, as well. Though he declines to get into specifics, LaFarge admits that he experienced a significant 'fall from grace' during the last months of 2018. 'Things sort of started to unravel in my mind,' Shortly before the recording of Rock Bottom Rhapsody began, LaFarge experienced a spiritual awakening ' and the faith he re-embraced in his hour of darkness helped to buoy him through the making of the album. Though he was struggling for spiritual equilibrium at the time, LaFarge at least had some rock-solid musical support to lean on. Recorded primarily at Reliable Recorders on Chicago's Northwest side, Rock Bottom Rhapsody was produced by LaFarge's friend and collaborator Chris Seefried (who also co-wrote several of the album's tracks), and features the considerable talents of guitarist Joel Paterson, keyboardist Scott Ligon, upright/electric bassist Jimmy Sutton, and drummer Alex Hall. Musically, LaFarge continues to mix and match a wide variety of styles and traditions, while never losing track of his own vision This record is kind of like Roy Orbison and Bob Dylan hanging out with chanson singers and French jazz bands in like the forties, but I was never trying to make it sound like a particular person. Despite the trying period that preceded its recording, Rock Bottom Rhapsody is ultimately far more uplifting and life-affirming than its title would suggest. 'That desperation, that struggle,' LaFarge ponders, 'Did it add something to the record? It certainly did. I mean, I don't know if it made it better; it just is what it is. It's not up to me to decide if people are going to feel that'
When Finnish sextet NIGHTWISH announce a new studio album people tend to take notice. They know that something special is brewing. Band leader Tuomas Holopainen once said that whenever he creates a new record he has the intention of capturing something rare and unique, a monument and a true album experience. In 2020 he’s certain to achieve his objective once again. NIGHTWISH have completed the recordings for “HUMAN. :II: NATURE.”, their 9th studio album.
“HUMAN. :II: NATURE.” will be released on 10th April 2020. The long-awaited record, following 2015’s critically-acclaimed, conceptual masterpiece “Endless Forms Most Beautiful”, will be a double album containing 9 tracks on the main CD and one long track, divided into eight chapters on CD 2.
“HUMAN. :II: NATURE.” was recorded from August to October 2019 at Röskö campsite, Petrax Studios and Troykington Castle, as well as Finnvox Studios, by Tero Kinnunen, Mikko Karmila and Troy Donockley. The mixing was done by Mikko Karmila at Finnvox, with Tuomas Holopainen and Tero Kinnunen. Mastering was done by Mika Jussila at Finnvox.
Award-winning duo Maddie & Tae are drawing praise for their new music “anchored around their stellar vocal pairings and some of the tightest harmonies on Music Row” (Rolling Stone). Maddie & Tae first broke out in 2013 with their brilliant take down of bro-country, “Girl In A Country Song,” which took Country radio by storm, skyrocketing to the top of the charts and quickly going PLATINUM. The duo became only the third female duo in 70 years to top the Country Airplay charts, also earning trophies from the Country Music Academy and Radio Disney Music Awards along with multiple ACM, CMA and CMT Award nominations. Receiving widespread praise from NPR, Billboard, Entertainment Weekly, The Washington Post, Glamour and others, country music’s hottest stars including Dierks Bentley, Lee Brice and Brad Paisley have welcomed Maddie & Tae on the road, with Carrie Underwood recently inviting the duo out as direct support on her 2019 The Cry Pretty Tour 360. On April 10th, Maddie & Tae will release new album, "The Way It Feels". CD packaging includes a free poster offer, valid thru 10/1/20.
2020 release. Jeremiah Johnson blends the sounds of the south, with Mississippi River blues and a touch of country flair. Emotionally charged roots rock, powered by the common man's passion for life and all the struggles in-between. Songs with meaning, a powerfully persuasive voice and master class musicianship.
2020 release, the first album in eight years from hip-hop icon Busta Rhymes. The album is a sequel to his 1998 album E.L.E. (Extinction Level Event): The Final World Front. Includes the single "The Don and The Boss", a collaboration with dancehall superstar Vybz Kartel.
Digital: $1.29 Add to Cart
The highly anticipated new single "positions" from Ariana Grande!
Beastie Boys Music is a companion piece to the critically acclaimed documentary Beastie Boys Story and the group's best seller Beastie Boys Book. The album features 20 Beastie Boys classics spanning the band's 30+ year career. Pressed on 2LP Black Vinyl.
Winter Is For Lovers was a lifetime in the making... a solo lap-steel guitar piece incorporating elements of delta blues, flamenco, and even Satie-like minimalism, this work resonates with lyrical virtuosity, originality and soul. In some ways Winter Is For Lovers is a love letter to Ben Harper’s longtime fans who have always revered his guitar virtuosity; it’s the record they always wanted him to make. For many other music lovers, this record is a revelation, an unknown side to a celebrated artist showing a sense of meticulousness, depth and music history that will add new dimensions to an already renowned career.
As a child, before Ben Harper was even playing music, he sat at the feet of folk luminaries like Rev Gary Davis, John Fahey, Ry Cooder and others in his grandparents Folk Music Center in Claremont, CA, soaking up their influence and passion for pure guitar music. As a teenager, while discovering his own musical gifts, he was repairing guitars and being mentored by many of these artists, most notably, Taj Mahal. While his musical path has taken him to worldwide fame playing rock and roll, and many other idioms, that pure guitar music has always been central to his musical heart.
Ultimately, Winter Is For Lovers is a very personal statement from Ben Harper, drawing from the bountiful garden of his earliest musical impressions and propelling him into the future with an elegiac masterpiece.
The Drive-By Truckers Austin City Limits performance was recorded on September 23, 2008 during their Brighter Than Creation’s Dark tour. The band lineup featured Patterson Hood, Mike Cooley, Shonna Tucker, John Neff, Brad Morgan and Jay Gonzalez. Lauded by fans as an instant classic and hailed by Patterson Hood as the band’s best filmed performance to date, this acclaimed recording is now on vinyl for the first time ever. Pressed on 180g vinyl, this 2xLP package features a new alternate cover printed on a high quality gatefold jacket.
Dan Penn, writer of such classic hits as 'Do Right Woman,' 'Dark End of The Street,' and 'I'm Your Puppet,' among them, shines in his first release of new original material since 'Nobody's Fool' in 1973 and his first full production studio album since 1995's 'Do Right Man.' Recorded in Nashville and Muscle Shoals alongside their finest musicians, Penn, the pioneer of Country Soul, turns in a performance as timeless as the genre itself.
Singer/guitarist Tyler Bryant wrote "Crazy Days" to help him deal with the insanity that is 2020. There were zero plans to have it be the lead-off single for a fourth album, Pressure, whose 13 blues-infused, timeless rock songs create a full-circle journey that both embraces and distracts Guest vocals include Charlie Starr of Blackberry Smoke. and Rebecca Lovell of the duo Larkin Poe. Red LP.
Written and recorded in the earliest days of the Covid-19 pandemic and Black Lives Matter/American uprising, this album represents a new direction for Austin, yet retains his distinctive voice and hyperliterate writing style. Contained are ten songs that serve as direct commentary regarding the ongoing global situation, isolation, fear and the indomitable spirit required to stand up against systemic racism and fascism, in a world spiraling out of control.
Steep Canyon Rangers are Asheville, North Carolina's GRAMMY winners, perennial Billboard chart-toppers, and frequent collaborators of the renowned banjoist (and occasional comedian) Steve Martin. Since coming onto the bluegrass scene at the dawn of the millennium, Steep Canyon Rangers have been on a journey and continue to push the boundaries of the genre. Their newest work, Arm in Arm, finds the band in a unique position where their sound is much more Americana than their bluegrass origins. Produced by Brandon Bell (Zac Brown, John Prine) and featuring Oliver Wood of the Wood Brothers and Michael Bearden (music director for Michael Jackson), the Rangers continue to hone their craft with unlikely collaborators while developing a sound that is uniquely their own.
The First Edition LP is pressed on paint splatter vinyl and is limited to 1,000 copies worldwide!
New CD: $13.95 Add to Cart
Relive the soundtrack from "The Walking Dead: Saints & Sinners" VR zombie experience. The gripping complete collection brings to life the horrifying journey through walker-infested New Orleans. This 2-CD set features 56 Bayou-inspired songs and compositions by Michael David Peter & Joshua Mosely, with muddy re-imaginings of songs like "When The Levee Breaks", "In The Pines" and "When The Saints Go Marching In". Immerse and ask yourself: are you a saint or a sinner?
Also available on Red/Green/Clear Smoke colored 3LP with Alternative Cover
Digital: $11.49 Add to Cart
Since their formation, Chiodos have been focuses on creating something different while letting their diverse influences shine through. Their resulting debut full length is only definable as a melting pot of electronic beats behind piano, metal guitar riffs and poppy melodic vocal lines that leave you humming. Heavy and harsh at one moment beautiful and serene the next, seemingly as a rul staying away from "verse-chorus-verse" song writing. Influenced by Saves the Day, Queen and at the Drive In, Chidos create a sound both intense and versatile as they cross musical boundaries.
TOUCHÉ AMORÉ has been burrowing through angst, alienation, cancer, and heartbreak throughout four adored studio albums. After over a decade of working through darkness, the band’s gorgeously gruff fifth album, Lament, finds the light at the end of the tunnel. Through 11 songs, TOUCHÉ AMORÉ looks back at its past and uses hard-won optimism to point its fans toward light, and love.
Brothers Osborne are set to release their third studio album, Skeletons, on October 9th. They are 2x CMA Award winners for Vocal Duo Of The Year and winners for the 2018 ACM New Artist of the Year. With 12 new tracks, including current hit- "All Night". Brothers Osborne's two previous albums Pawn Shop and Port Saint Joe produced seven singles that charted on the Hot Country Songs chart and included #1 Platinum single, "Stay A Little Longer".
Patrick McDermott began his North Americans project with two albums: 2013’s No_No, and 2015’s Legends. Both records were dense affairs, with blocks of sound shifting and moving like melting glaciers to create a gorgeous, impenetrable, collection of digital drones. Though they sounded nothing like what would come a bit later, both records showcased McDermott’s understanding of mood and composition. On 2018’s Going Steady, McDermott blended his love of American Primitive guitar playing with playful pieces that never overstayed their welcome. He also began collaborating with a wide range of artists: from Julianna Barwick to guitar prodigy Hayden Pedigo, as well as Cloud Nothings’ Dylan Baldi, and more.
Now, two years later, McDermott is releasing Roped In, a gorgeous, intimate, and often spare album that pulls back from the collaborative nature established on Going Steady for a collection of fragile drone pieces anchored by McDermott’s intricate but direct guitar playing and haunting pedal steel work from Portland, Oregon’s Barry Walker.
Where Going Steady was brimming with ideas and micromovements, Roped In is relatively sparse, built on patience and the kind of once-in-a-lifetime collaborative energy between McDermott and Walker, and accented by occasional collaborations from harpist Mary Lattimore and guitarist William Tyler. “I wanted to focus on the simplicity of the music,” McDermott says. “I didn’t want to be beholden to this massive goal of [making music] to see how progressive and experimental it could be. I was attempting to cherish the pureness of this type of music.”
Features contributions from other Chicago artists such as Ohmme, Lala Lala, V.V. Lightbody and more. - First truly new material since the release of last year’s Lookout Low. - Part of a two EP series called Side A/Side B, which will be compiled together upon the release of EP2 later this year.
Midnight Manor, the much anticipated sophomore album of the six-piece rock outfit The Nude Party is set for release on October 2nd via New West Records. Following two years of non-stop touring in support of their eponymous debut release, the band returned to their farmhouse in New York's Catskill Mountains to record the follow up to their acclaimed 2018 self-titles debut.
Like The Band's sacred home-recording habitat The Big Pink, The Nude Party's communal dwelling provided the landscape and proximity to focus on deepening their bonds through music. It was at the Manor that the band of childhood friends could shift their energies from the archetypical emotional journeys of mid-twenty-somethings towards rebuilding their road-worn relationships with one another, leading them to write Midnight Manor - an album that lead singer Patton Magee describes as "a stone skipping over troubled waters."
With Midnight Manor, The Nude Party shine a light on their past while at the same time moving towards a brighter future.
Live Around The World [Vinyl] is their First Live Album On Double LP!
Half-Speed Mastered at Abbey Road Studios!
Since their first appearance together in 2009 when Queen members Brian May and Roger Taylor appeared as guests on the finale of the eighth season of American Idol on which Adam Lambert was a contestant, the combination of Queen + Adam Lambert has gone from strength to strength becoming one of the world's biggest drawing touring bands. Their most recent tour of Oceania saw them selling out to massive audiences, with a single show at Sydney's ANZ stadium drawing a record crowd of over 60,000. To date the band has played to a worldwide audience approaching 4 million.
The set presents a compilation of concert highlights captured the world over personally selected by Taylor, May and Lambert from over 200 shows they have performed with several featured here becoming available for the very first time.
- Double LP
- Half-Speed Mastered at Abbey Road
- Includes entire 'Live Aid' performance from Fire Fight Australia
Queen & Adam Lambert Live Around The World Half-Speed Mastered 2LP
For his fourth album, Keep ‘Em on They Toes, Brent Cobb is giving his songs the space they need to speak for themselves, a reflection of his own decision to write about the way he sees the world. “My last couple of albums have been about people and places, and I wanted this album to be about thoughts and feelings,” he says.
At his core, Cobb still writes country songs, so there’s a continuity between Keep ‘Em on They Toes and past projects like 2016’s Shine on Rainy Day (a Grammy nominee for Best Americana Album) and 2018’s Providence Canyon. After living in LA and Nashville to develop his music career, Cobb and his family moved back to Georgia a few years ago – a decision that affected his songwriting. “It’s funny because the last two albums were about me growing up in Georgia, and now we’re back here,” he says. “I’m not writing about missing it anymore, so the songs are coming from within now. It’s not a longing for home, it’s what I think about now that I live down here.”
Cobb and his band recorded the project in Durham, North Carolina, with producer Brad Cook. Inspired by the spaciousness of classic country albums like Jerry Lee Lewis’ 1977 Country Memories, the new project allows the listener to hear everything that’s going on, yet the songs remain the star of the show.
Keep ‘Em on They Toes, Cobb captures the mindset of a man who values a simpler time despite living in a modern world. “To me, listening to this album feels like I’m sitting there with somebody, having a conversation,” Cobb says. “I would hope that it feels like sitting with an old friend you haven’t seen in a while. There’s nothing like being alone and listening to an album that is quiet and conversational – like those old records by Jerry Lee Lewis, Roger Miller, or Willie Nelson. I hope my music is that way to somebody now.”
Black Vinyl. Debut album on Earache Records from US Alt-Metal act Tallah. An original dose of f***ed up and disturbing alt-metal insanity. For fans of Korn, Code Orange, Slipknot, Deftones & Vein. Exhilaratingly fresh whilst incorporating nostalgic 90s nu-metal vibes
This new release from Herb Alpert Presents is the definitive retrospective on the illustrious career of one of America's most unique musical voices, Herb Alpert! Containing 63 tracks culled from 6 decades of the trumpeter's classic recordings, HERB ALPERT IS... is the perfect companion piece to the new 2020 feature length documentary of the same name. Presented in a coffee table style LP record book containing five 12-inch, audiophile quality 180-gram vinyl records and 180 pages of vintage photos, extensive song credits, and a 7,500 word essay written by Bud Scoppa. The record book is housed in a custom slipcase with a screened printed smoked acrylic window.
The album features 15 tracks highlighting the group’s energetically hopeful vibe, conveying the members’ collective message that we’re all “Super” and we can overcome any hardship together as “One”. The album, which will be released on Sep 25, includes 1 booklet, 1 CD-R booklet, 1 ID card, 1 ID card holder, 1 postcard, 1 folded poster, and 2 photo cards. This is an official release from SM Entertainment and Capitol Records.
Keith Urban will release his brand new studio album on September 18th worldwide. The album will include his current hit single “God Whispered Your Name” as well as the #2 smash hit-“We Were”. Keith won the CMA Entertainer Of The Year in 2018 and he is currently the 2019 ACM Entertainer Of The Year. Keith will be hosting the ACM Awards on Wednesday-September 16th while will air on ABC-TV. “In October 2019 this album title came to me. I liked it because I felt like life was flying by so fast. But music (for me) has always been the place where it slows down and doesn’t even exist. I would never have imagined that, in 2020, this album title would take on a whole new meaning.” - Keith
Enter Paris, arguably one of the most politically outspoken artists in hip-hop history, with his latest album, Safe Space Invader. Entirely self-produced and released on his own Guerrilla Funk Recordings imprint, Safe Space Invader is a brutal commentary on Black life in 2020 America, touching on the topics of police brutality, racism, gentrification, economic inequality and cancel culture, among others.
CD Version comes with a bonus track - Jamie lee Curtis reading her children's story 'Today I Feel Silly'. A follow up to 2009's GRAMMY Winning Family Time - Ziggy has bottled the energy of his children and put it into music form! This is a very special piece and have a number of friends guesting on this album, including: Stephen Marley, Sheryl Crow, Ben Harper, Angelique Kidjo, Alanis Morissette, Tom Morello, Lisa Loeb, Busta Rhymes and Jamie Lee Curtis (reading her new book Today I Feel Silly). A portion of proceeds will benefit Ziggy's 501(c)3 URGE - which supports the education, social development and overall well being of the Chepstow Primary School and the One Love Youth Camp, both in Jamaica.
In the five years since Will Butler released his debut album, Policy, he’s toured the world both solo and as a member of Arcade Fire, released the Friday Night live album, recorded and released Arcade Fire’s international #1 album Everything Now, earned his master’s degree in public policy from Harvard, hosted a series of touring town halls on local issues (police contracts, prison reform, municipal paid sick leave, voting rights), and spent time raising his three children.
He also found the time and inspiration to write and record a new album, Generations.
“My first record, Policy, was a book of short stories,” Butler says. “Generations is more of a novel—despairing, funny, a little bit epic… A big chunk of this record is asking: What’s my place in American history? What’s my place in America’s present? Both in general—as a participant, as we all are, in the shit that’s going down—but, also extremely particularly: me as Will Butler, rich person, white person, Mormon, Yankee, parent, musician of some sort, I guess. What do I do? What can I do? The record asks that question over and over, even if it’s not much for answers.”
While the songs on Generations contain their fair share of dread and regret, there is ultimately a lightness that shines through Butler’s music. That brightness is at its most intense when he and his solo band—Miles Francis, Sara Dobbs, and Julie and Jenny Shore—perform on stage. Their electricity is palpable throughout Generations, with the bulk of the new songs having been worked out live. Wild synth production—gnarly bass synths with live drums—and anthemic backing vocals as on first single “Surrender” are punctuated by intimate, direct moments: Butler’s voice cracking on “Fine” as he conjures his ancestors, and “Promised,” a meditation on friendship, how lives are built together, and how and why they drift apart.
Generations was recorded and produced by Butler in the basement of his home in Brooklyn. Tracking finished in March 2020, as New York closed down for the pandemic. Half the record was mixed in Montreal by longtime Arcade Fire engineer Mark Lawson, the other half by Brooklyn-based producer Shiftee (who is, incidentally, bandmate Julie Shore’s husband and Will’s brother-in-law).
Generations opens a dialogue with the world. It posits answers—and deals with those answers being refuted. Ultimately, it navigates the conversation as a way to find the truth… or at least a way forward.
Bright Light Bright Light is singer, songwriter, producer and DJ born in Wales, living in NYC and obsessed with pop culture, particularly from the 80s and 90s. Over the course of his 3 commercially released albums he's toured with Cher, Ellie Goulding and John Grant, and toured AND recorded with Sir Elton John, Scissor Sisters and Erasure. He's an avid record collector, DJing pop obscurities he finds on his vinyl treasure hunts at his weekly DJ sets (online on Twitch.tv/brightlightx2 at the moment) that have been praised by Time Out NY. Equally inspired by 80s/90s movies and artists like Kate Bush, Björk, Ace Of Base, Max Richter and Pointer Sisters, he's a music geek at heart, and a renowned artist on stage, currently the first and only unsigned (he runs his own label) artist to perform on Graham Norton's BBC One TV Show.
One of the first bands to overtly combine death metal with atmospheric keyboards, Nocturnus' debut album introduced more technical and progessive elements into the traditional death metal formula without losing any of the brutality. The audio for this vinyl is taken from the original tapes in Full Dynamic Range, allowing the music's nuances to shine through and giving the album a more immersive and dynamic sound than ever before.
Maroon Vinyl. On Giver Taker, the gorgeous debut album by Anjimile, death and life are always entwined, wrapping around each other in a dance of reverence, reciprocity, and, ultimately, rebirth. Written by Anjimile Chithambo (he/him, they/them), in collaboration with bandmate Justine Bowe of Photocomfort and New-York based artist/producer Gabe Goodman, the album grapples with sobriety; reconciling trans identity, spirituality, and religious upbringing; and forging gracious new futures that honor complex histories. Giver Taker's evocative pastoral ballads, warm pop songs, and epic choirs owe their heritage to influences ranging from Sufjan Stevens, Madonna, Ladysmith Black Mambazo, and The Lion King, all reshaped in Anjimile's vision to invite listeners into the album's vulnerable, generous worlds.
Limited pink colored vinyl LP pressing. 2010 release. Since their first show at Hollywood s Hotel Café in December 2008, soulsters Fitz & the Tantrums have toured with Maroon 5, played to thousands at Colorado's world famous Red Rocks Amphitheatre, shared the stage New Year's Eve with Sharon Jones and the Dap Kings, and performed on KCRW s esteemed show, Morning Becomes Eclectic. The recipe for success? Six killer musicians, five dapper suits, irresistible songs, one vintage organ and nonstop touring.
Acclaimed singer/songwriter Joan Osborne is back with Trouble & Strife (Womanly Hips Records), her first album of original material in six years. Osborne self-produced the new collection and penned all ten songs, with two co-writes. Trouble & Strife finds the gifted vocalist offering a strong yet uplifting response to some of the socio-political issues plaguing our nation over the last several years. Osborne beautifully balances the weight of her messages with solace and optimism.
The album opens with the inspiring “Take It Anyway That I Can Get”, a soulful calling to brazenly live life to the fullest. “Hand’s Off” is a visceral reaction to the unchecked corruption that is happening before our eyes, while on “That Was A Lie” Osborne takes on the acceptance of misinformation and how it has been weaponized and normalized. Driven by an infectious 1970’s synth riff, “Never Get Tired (Of Loving You)” features a heartfelt message of reassurance for her teenaged daughter during unstable times. Osborne offers a comforting song of hope on the beautiful lullaby, ”Whole Wide World” as she sings, “We could see the whole wide world from here, Lookin’ past the sorrow and the tears, Let me take you to that better place, Let me put that smile back on your face.”
On one of the album’s most important songs, “What’s That You Say” Osborne focuses on immigration and the plight of Ana Marie Rea. Rea spoke in-depth with Osborne about and the difficulties she and her family faced when coming to America from Mexico seeking asylum, and the challenges since. Rea’s words can be heard throughout the powerful song, spoken in her native tongue.
Throughout her 25-year, multi-Grammy nominated career, Joan Osborne has never been an artist confined to one space. She has utilized her incredible voice through her own songs while also becoming one of her generation’s finest interpreters. Osborne has shared the stage with artists ranging from Stevie Wonder and Mavis Staples to Bob Dylan and Lucinda Williams and she continues to seamlessly blend into any genre. On Trouble & Strife, her tenth studio album, the need for her voice and words has never been stronger.
Diana Krall's new self-produced album, This Dream Of You, was mixed by Al Schmitt, who worked closely with her to achieve the notable intimacy and immediacy. Performances from 2016-2017 sessions, on which she collaborated with late friend/longtime creative partner Tommy LiPuma. A record for right now but also feels like a movie you might share with someone you know will stay with it until the final reel. As she says, "If But Beautiful is the overture, then `Singing In The Rain' is the end title.
If you’ve struggled with the many tentacles of depression and its ability to pull you under and away from family and friends—from your entire world— you’ll recognize that sentiment. It’s the opening line of the lead single, “First Aid” from Gus Dapperton’s upcoming album, “Orca.” In this album, Gus dives into new territory, showcasing his vulnerability in powerful lyrics and personal stories.
“In the past, I’ve written my songs from a place of love and heartbreak. This album is about internal pain and suffering,” he says. Turning the personal into the universal is the sort of magic music has long performed. On “Post Humorous,” Gus recalls childhood moments shared with his sister, singing, “I can’t help thinking about the way we joked in those funeral homes” over crystalline guitar. As the song wrestles with how daunting death is, how strong the temptation is to laugh nervously at it rather than try to confront it with vulnerability, this line from Gus’s childhood becomes something bigger than a memory. It becomes something every listener can share in.
Gus’s creative decisions in pursuit of a raw sound to match these raw emotions didn’t come easily. “I’m a huge advocate for putting myself in vulnerable positions in my music,” he says but admits that confronting these feelings “was a chance to be open that I was afraid of.” But he pushed himself and, with the help of his friends and family, came out on the other side stronger. “It was cathartic to put these emotions into music,” he says. When this album is released in Fall 2020, he won’t be the only one feeling that way.
Vinyl LP pressing. 2020 release. Between You And Me is the fourth album by the indie trio San Cisco, from Fremantle in Western Australia, town of sun-baked sandstone and sea breezes. It's an album two years and at least one sadly remembered love affair in the making. Between You and Me finds the childhood friends' open-hearted/ good times chemistry distilled to it's essence. Nearly 10 years since those first EPs, ARIA nominations and early US and UK inroads, San Cisco have made their most painstaking album sound effortless.
The whole story could’ve been written in the stars…
Astrology tells us a “Saturn Return” happens when the planet Saturn revolves back to the same position it held upon our birth. It typically takes almost thirty years. However, in the case of Delta Spirit, it took a little less than fifteen. The enduring California rock quintet—Matthew Logan Vasquez [vocals], Kelly Winrich [multi-instrumentalist, vocals], Will McLaren [guitar], Jon Jameson [bass], and Brandon Young [drums]—realign on their fifth full-length and first album since 2014, What Is There. As much as it reflects their journey thus far, it also ushers them into new territory as both musicians and, most importantly, friends. In the end, Delta Spirit not only return, but move forward together on What Is There.
Elizabeth Cook is a Nashville-based singer-songwriter from Wildwood, FL- the New York Times lauds her "a sharp and surprising country singer". A veteran SiriusXM Outlaw Country Radio DJ, Cook has hosted her own show, Apron Strings, for over 10 years. She's also a favorite of David Letterman, the host of an upcoming TV show on Circle Network called Upstream, and a frequent guest star on Adult Swim's long-running hit cartoon series "Squidbillies".
Steinway artist & composer, Chad Lawson's solo work has a relaxed, meditative feel that draws on both the sonorities of classical music and the freeform nature of jazz improv. You Finally Knew, his debut solo piano album for Decca US, was recorded at Abbey Road Studios and features ten pieces he wrote to inspire listeners to take time every day to consciously be still for mental clarity and overall wellness of being.
Zakk Sabbath is the Black Sabbath tribute band featuring guitarist/vocalist Zakk Wylde (Black Label Society, Ozzy Osbourne), bassist Blasko (Ozzy Osbourne, Rob Zombie) and drummer Joey Castillo (Danzig, Queens of the Stone Age), who have been constantly gigging since 2014 with their take on the Birmingham four's early songs. Legendarily recorded in a single day in October 1969, Black Sabbath's self-titled debut was released on a Friday the 13th in 1970, and the world was never the same. "We recorded a live EP and were wondering what we could do next as a cover band, so the 50th album anniversary came just at the right time", explains Blasko regarding Zakk Sabbath's decision to go studio. "Compared to 'Paranoid', which is almost like a best-of record, the bulk of the material on 'Black Sabbath' is deep-cut, really experimental stuff that was never thoroughly explored, so that was a challenge, not to forget that we wanted to meet our own high standards." Describing the DIY process as "very productive," the three respectfully added their own flair to make for a slightly different flavor, also revisiting various live renditions and "extending a solo here or slowing things down because that's what they tended to do on stage." Titled "Vertigo", Zakk Sabbath's ode to the masters won't be available digitally, "to make the release feel authentic to the time when vinyl ruled the earth. It was such a cool time for those of us that grew up during that time. The fan experience with the physical product is irreplaceable with digital and streaming. We wanted to capture that authenticity." The songs were faithfully recorded in the spirit of the original - live in the studio and with a film crew documenting the process - culminating in a new celebration of the greatest heavy metal band of all time and the record that started it all. Gatefold LP incl. Padded inner sleeve and special vinyl mastering, ltd. Yellow Vinyl
Long before Tennessee Jet began crisscrossing America as a one-man band, playing nightly shows full of fuzz guitar, primal percussion, and songs that split the difference between country and raw rock & roll, he traveled the interstates of Oklahoma with his bronc-riding father and barrel-racing mother. Sitting on the bench seat of an old Ford pickup truck pulling a horse trailer while heading to the next rodeo, he'd watch the grasslands of his home state fly past the windshield at highway speed. Country music was always on the radio back then, and those songs — honest, heartfelt classics by icons like Willie Nelson and Dwight Yoakam, both of whom he'd eventually join on tour — left a permanent mark.
The Country, Tennessee Jet's third album, nods to that childhood soundtrack. A salute to the sounds of his youth, these songs double down on Jet's country and folk influences, without sacrificing the left-of-center approach that's earned him a reputation as a genre bender. Honky-tonk ballads, twin fiddles, and country two-steps rub shoulders with a Nirvana-inspired rock song ("Johnny," a tribute to 1950s legend Johnny Horton) and a bluegrass cover of the Black Crowes' "She Talks to Angels." The result is a richly-textured album that's both classic and modern in the same breath. This is raw, truthful country music — a reinvention of the sound that's always formed the bedrock of Tennessee Jet's artistry, even during his most amplified moments.
On the cusp of releasing his first-ever solo album, Every Feeling on a Loop (ANTI-Records), songwriter Josiah Johnson is aware he wasn’t supposed to be here. Just five years ago when he took a leave of absence from the acclaimed indie-folk band, The Head and the Heart, the question was less where Johnson’s star would take him and more whether his struggles with addiction would end his music career. But then, he wasn’t supposed to be there, either.
Prior to co-founding the band, Johnson studied math and computer science in graduate school. But the magic of song led him to an open mic that changed his life. At Seattle’s Conor Byrne Pub, Johnson sparked collaborations with fellow musicians who would eventually form The Head and the Heart. The group’s rise was rapid. They built a loyal fanbase and zigzagged the globe, with sold-out shows at historic venues from The Fillmore to Red Rocks and festival appearances at Coachella and Lollapalooza. Their 2011 self-titled debut went on to receive RIAA Gold certification, followed by 2013’s Let’s Be Still, which landed on Billboard’s Top 10 Albums Chart.
On Every Feeling on a Loop, lush musical arrangements and harmonies support Johnson’s baritone crooning. At times, the songs sound like prayers. At others, his exuberance feels like the euphoria he’d always sought, this time hard-earned and wiser. He says he feels like a new person making it, charting his journey out of the dark into the wide awake of the morning, using the magic that was his all along.
Produced by ACM Producer of the Year nominee Joey Moi and co-produced by Derek Wells, with additional production on select tracks by David Garcia and Jake Mitchell, A ROCK features a diverse cast of Nashville’s elite songwriters – from mainstay hitmakers Hillary Lindsey, Jessie Jo Dillon and Ashley Gorley to hot-on-the-rise newcomers Hunter Phelps and Zach Abend – and dives deep into every corner of HARDY’s influence.
Bleeding elements of Soundgarden, Pink Floyd, John Prine, Eric Church, Kid Rock and more into the record's sound while maintaining his own signature brand of Country throughout, the collection runs the gamut of genre and encapsulates the fullness of HARDY’s artistry, making it clear where he's come from, and exactly where he's headed next.