Khruangbin has always been multilingual, weaving far-flung musical languages like East Asian surf-rock, Persian funk, and Jamaican dub into mellifluous harmony. But on its third album, it’s finally speaking out loud. Mordechai features vocals prominently on nearly every song, a first for the mostly instrumental band. It’s a shift that rewards the risk, reorienting Khruangbin’s transportive sound toward a new sense of emotional directness, without losing the spirit of nomadic wandering that’s always defined it. And it all started with them coming home.

A never-before-released studio album vinyl by Art Blakey & The Jazz Messengers recorded at Rudy Van Gelder's Hackensack, New Jersey studio on March 8, 1959, and featuring the legendary drummer-whose centennial is being celebrated this year-along with trumpeter Lee Morgan, tenor saxophonist Hank Mobley, pianist Bobby Timmons, and bassist Jymie Merritt. The 6-song set includes 2 previously unissued compositions: "Quick Trick" and "Jimerick."

Third Man Records is excited to announce The Stooges' Live At Goose Lake: August 8, 1970. This previously-unheard, high-quality soundboard recording of the original Stooges lineup's final performance -- recorded just before the release of their earthshaking 1970 album Fun House -- will be available on vinyl, CD and digital on August 7, 2020, nearly 50 years to the day after the performance. 

Demos of PJ Harvey’s seminal 1992 debut album. LP pressed on 180-gram vinyl. Full color outer sleeve, with printed inner sleeves. Includes three previously unreleased photos.

Also Available

Dry LP		Peaky Blinders Original Music From The TV Series 2CD / 3LP

‘Rough and Rowdy Ways’ is Bob Dylan’s first album of original material in 8 years and his first since becoming the only songwriter to receive the Nobel Prize for Literature, in 2016. Its 10 tracks include the three new songs released this spring: the album’s lead-off track, “I Contain Multitudes,” the nearly 17-minute epic “Murder Most Foul” and “False Prophet.”

After a legendary career as the enigmatic frontman for Pulp, and a successful run of solo albums and collaborations, Jarvis Cocker debuts his first new full length album since 2009 with musical project JARV IS' JARV IS... an ongoing live experience because life is an ongoing live experience. THIS IS NOT A LIVE ALBUM'it's an ALIVE ALBUM. Thanks for listening.

Vinyl LP pressing. 2020 release. Love Letter is the legendary saxophonist Jimmy Heath's stunningly elegant last testament, a take on seminal ballads. Includes songs written by Billie Holiday, Dizzy Gillespie and Kenny Dorham in addition to original material. Partially recorded in New York in the days preceding his 93rd birthday, Jimmy presided over a brilliant cast of colleagues and friends. The result is pure Heath: polished, inventive, candid, beautiful. Guest artists include Wynton Marsalis, Gregory Porter, and more.

After years spent looking out at landscapes and loved ones and an increasingly unstable world, Rolling Blackouts Coastal Fever have turned their gaze inward, to their individual pasts and the places that inform them, on their second full-length, Sideways to New Italy. Led by singer-songwriter-guitarists Tom Russo, Joe White and Fran Keaney, the guitar-pop five-piece returned home to Australia after the relentless touring schedule that came following their critically regarded 2018 debut Hope Downs. Feeling the literal and metaphorical ground under their feet had shifted, the band began grasping for something reliable. For Keaney, that translated into writing "pure romantic fiction" and consciously avoiding the temptation of angsty break-up songs, while Russo looked north to a "bizarre place" that captured the feeling of manufacturing a sense of home when his own had disappeared. The New Italy of the new album’s title is a village near New South Wales’ Northern Rivers – the area drummer Marcel Tussie is from. A blink-and-you'll-miss-it pit-stop of a place with fewer than 200 residents, it was founded by Venetian immigrants in the late-1800s and now serves as something of a living monument to Italians' contribution to Australia, with replica Roman statues dotted like alien souvenirs on the otherwise rural landscape. The parallels to the way the band attempted to maintain connections and create familiarity during their disorienting time on the road was apparent to Russo. "These are the expressions of people trying to find a home somewhere alien: trying to create a utopia in a turbulent and imperfect world." The record's geographic identity emerged from the band losing their grip on their own, whether that was through the pressure of touring, the dissolution of relationships, a frustrating distance from their daily lives – or some combination of all three – that came from being slingshotted all over the world, playing sold-out headline tours and festivals including Coachella, Governors Ball, Primavera Sound, All Points East, and Pitchfork Music Festival. The notion of crafting, in Russo’s words, “a utopia of where your heart’s from,” permeates Sideways to New Italy, in which early attempts at writing big, high-concept songs about The State of the World were abandoned in favor of love songs, and familiar voices and characters filter in and out, grounding the band's stories in their personal histories. There’s something comforting, too, in knowing the next time they’re buffeted from stage to stage around the world, they’ll be taking the voices of their loved ones with them, building a new totem of home no matter where they end up.

LP is 150 Gram and includes a download insert

A new studio album from the time-defying legend who has won Grammys for his last two albums (2019’s Ride Me Back Home just won Best Solo Country Performance and 2018’s My Way won Best Traditional Pop Album). While his last few albums have focused on facing the reality of mortality and crying or laughing in its face, this one is focused much more on celebrating the now and embracing life, love and friends & family. The album includes new songs written by Willie and long time producer Buddy Cannon combined with new songs written by Chris Stapleton and Toby Keith plus a handful of classic songs that Willie interprets his way, all performed with an amazing band of Nashville gunslingers.

That’s How Rumors Get Started sees Nashville icon and 2019 Best New Artist Grammy nominee Margo Price commit her genre-bending rock-and-roll show to record for the first time, stretching out her emotive twang over sky-high soft-rock, burning psychedelic rock ballads, stomping road songs, and sprinkles of pop. With production from her friend and longtime collaborator Sturgill Simpson, it shows both of them pushing into unexpected directions.

Preorder the Black Vinyl !! Current orders available after 5/15/2020.

Vinyl LP pressing. 2020 release. His last album - 2017's The Nashville Sound - a #1 album on the Billboard Folk, Independent, Country and Rock albums charts, also received Best Americana Album at the Grammys, Album Of The Year At The Americana Honors & Awards and was nominated at the CMA Awards for Album Of The Year. Since then, he has collaborated on the soundtrack for A Star Is Born, the debut album by the Highwomen, and Sheryl Crow's latest album Threads. He also released a live album, Live From the Ryman.

Set My Heart On Fire Immediately is the fifth studio album from Perfume Genius that will be released May 15th on Matador Records. It sees artist and musician Mike Hadreas re-teaming with GRAMMY-nominated producer Blake Mills and features contributions from musicians Jim Keltner, Pino Palladino and Matt Chamberlin. It was recorded in Los Angeles, where Perfume Genius settled in 2017 with longtime partner and musical collaborator Alan Wyffels. 'I wanted to feel more open, more free and spiritually wild,' says Hadreas, 'and I'm in a place now where those feelings are very close-- but it can border on being unhinged. I wrote these songs as a way to be more patient, more considered -- to pull at all these chaotic threads hovering around me and weave them in to something warm, thoughtful and comforting.'

Phoebe Bridgers doesn’t write love songs as much as songs about the impact love can have on our lives, personalities, and priorities. Punisher, her fourth release and second solo album, is concerned with that subject. To say she writes about heartbreak is to undersell her blue wisdom, to say she writes about pain erases all the strange joy her music emanates. The arrival of Punisher cements Phoebe Bridgers as one of the most clever, tender and prolific songwriters of our era.

Bridgers is the rare artist with enough humor to deconstruct her own meteoric rise. Repeatedly praised by publications like The New Yorker, The New York Times, GQ, Pitchfork, The Fader, The Los Angeles Times and countless others, Bridgers herself is more interested in discussing topics on Twitter, deadpanning meditations on the humiliating process of being a person, she presents a sweetly funny flipside to the strikingly sad songs she writes. Fittingly, Punisher is fascinated with, and driven by, that kind of impossible tension. Whether it’s writing tweets or songs, Bridgers’s singular talent lies in bringing fierce curiosity to slimy and painful things, interrogating them until they yield up answers that are beautiful and absurd, or faithfully reporting the reality that, sometimes, they are neither.

Bridgers pulls together a formidable crew of guests, including the Julien Baker, Lucy Dacus, Christian Lee Hutson and Conor Oberst as well as Nathaniel Walcott (of Bright Eyes), Nick Zinner (of the Yeah Yeah Yeahs), Jenny Lee Lindberg (of Warpaint), Blake Mills and Jim Keltner as well as her longtime bandmates Marshall Vore (drums), Harrison Whitford (guitar), Emily Retsas (bass) and Nick White (keys). The album was mixed by Mike Mogis, who also mixed Stranger In The Alps.

On the album’s epic, freewheeling closer, “I Know The End,” Bridgers orchestrates wails and horns, drums and electric guitar into a sumptuous doomsday swirl, culminating in her own final whispered roar. This is Punisher in a nutshell: devastating elegance punctuated by a moment of deeply campy self-awareness. 

Chromatica is the highly anticipated 6th studio album by Lady Gaga. Featuring the single “Stupid Love”. LP pressed on milky clear-colored vinyl. Available May 29th.

Double vinyl LP pressing - Includes Digital Download.

2020 release. Fetch the Bolt Cutters is the fifth studio album by American singer-songwriter Fiona Apple. It is Apple's first release since The Idler Wheel... in 2012. The album was recorded from 2015 to 2020, largely at Apple's home in Venice Beach. It was produced and performed by Apple alongside Amy Aileen Wood, Sebastian Steinberg and Davíd Garza; recording consisted of long, often-improvised takes with unconventional percussive sounds. Rooted in experimentation, the highly percussive album resists genre categorization. While conventional instruments, such as pianos and drum sets, do appear, the album also features prominent use of non-musical found objects as percussion. Apple described the result as "percussion orchestras". These industrial-like rhythms are contrasted against traditional melodies, and the upbeat songs often subvert traditional pop structures.

Monovision is the new album from Grammy Award winning artist Ray LaMontagne. This 10 track collection is Ray’s his 8^th studio album, and finds the artist in the multiple roles of songwriter, singer, producer, engineer, as well as performing all the instruments on every track. The first songs to be released as singles from Monovision are “We’ll Make It Through,” and “Strong Enough.”

All of Ray LaMontagne’s albums, including Monovision – show a vast catalog of music where the artist continues to push himself in different directions, yet with a uniquely signature sound that could only be his. Monovision is available on CD, VINYL, and digitally.

Making A Door Less Open, the new album from Car Seat Headrest and the first set of brand-new songs since 2016's Teens Of Denial, is set for release on May 1. The album will be available on vinyl and CD featuring distinct tracklists and mixes for each format. Created over the course of four years, Making a Door Less Open is the result of a fruitful 'collaboration' between Car Seat Headrest, led by Will Toledo, and 1 Trait Danger, a CSH electronic side project consisting of drummer Andrew Katz and Toledo's alternative persona, 'Trait.' To realize this, the band recorded the album twice: once live with guitars, drums and bass, and once in a MIDI environment using purely synthesized sounds. During the mixing process, the two approaches were gradually combined using elements of each, with additional overdubs.

Up All Nite With Prince: The One Nite Alone Collection brings the electrifying power of Prince’s 2002 studio and live releases together in one stunning package. This 4CD/1DVD set includes One Nite Alone…, Prince’s striking piano-and-vocal studio album (in its first commercial CD release); the double-disc One Nite Alone…Live! featuring recent jams (“Muse 2 The Pharaoh,” “1+1+1 Is 3”) and classic favorites (“Raspberry Beret,” “Nothing Compares 2 U,” “When U Were Mine”); the high-energy One Nite Alone…The Aftershow: It Ain’t Over! with guest appearances by George Clinton and Musiq Soulchild; and the Live At The Aladdin Las Vegas DVD. The ultimate Prince concert experience is here!

As the thirteenth release in the Paul McCartney Archive Collection, this numbered, limited seven-disc (5CD/2DVD) Deluxe Edition Box Set is comprised of the original album remastered at Abbey Road Studios, 32 bonus audio tracks including unheard home recordings and demos, alternative studio recordings, rough mixes and B-sides including selections from Oobu Joobu parts 1-6, Flaming Pie At The Mill CD (Paul’s hour-long tour of his studio), video content including the In The World Tonight documentary, original music videos, EPKs, interviews, performances and behind-the-scenes material, a 128-page book containing previously unpublished images by Linda McCartney, expanded album artwork from the archives and the story behind the album written by Chris Heath – including track-by-track information, recipes and new interviews with Paul, Ringo Starr, Jeff Lynne, Steve Miller and key album personnel, studio notes, handwritten lyrics, the 1997 Flaming Pie issue of Club Sandwich, the official newspaper of the Paul McCartney Fan club, downloadable 24bit 96kHz HD audio, and more.

• Numbered cloth wrapped clamshell box
• CD portfolio containing 5CDs and 2DVDs
• 128-page book containing previously unpublished images by Linda McCartney, expanded album artwork from the archives, and the story behind the album – including track-by-track information, recipes, and new interviews with Paul McCartney, Ringo Starr, Jeff Lynne, Steve Miller, and key album personnel, written by Chris Heath.
• Facsimiles of John Hammel studio notebook, Club Sandwich Magazine, Flaming Pie plectrum and envelope containing handwritten lyrics for 8 tracks and The Flame newspaper

Flaming Pie is also available on 180g black vinyl 2LP, 3LP, CD, Collector's Edition formats.

* Bonus tracks are exclusive to the first pressings of CDs and Vinyl

Featuring writing and lead vocal contributions from all four members, The Jayhawks’ extraordinary new album, XOXO, is the most diverse and wide-ranging in the group’s storied history. Rather than marking a sonic departure, though, the collection signals a sharpening of focus for the band, an elevation in understanding of who they are and what they do best. In classic Jayhawks fashion, the songs here mix the influence of American roots music with British invasion and jangly power-pop, but there’s a newfound vitality at play, as well, an invigoration of confidence and energy that could only come with the injection of fresh blood. The result is an album that, much like the band’s lush harmonies, brings multiple distinctive voices together into a singular whole, a collection that, ironically enough, finds unity in individuality and identity in reinvention.

“This album feels like a new lease on life for us,” explains Louris. “I don’t know what the future holds, but this band is full of great songwriters who deserve to be heard, and my only regret is that we didn’t do something like this sooner.”

Los Angeles-based guitarist, composer, and producer Blake Mills announces forthcoming album Mutable Set. Much of the material was co-written with acclaimed singer-songwriter Cass McCombs, and this is Mills' first album of solo music with lyrics since 2014's "Heigh Ho" and second release under New Deal Records / Verve Label Group.

As the world greeted the promise of a new millennium, even Prince was experiencing a great sense of transformation. In 2000, he announced the reclamation of his birth name after seven years as an unpronounceable symbol. In 2001, after a period of study and debate with his friend and mentor Larry Graham (former bassist for Sly and The Family Stone), Prince converted to the Jehovah’s Witness faith. These transformations bore fruit with the release of The Rainbow Children at the end of 2001. Billed as “controversial” in its press materials for its open spiritual message, the jazz-inspired record was Prince’s first fully independent release, issued without any major label backing. One of its songs, “The Work, Pt. 1,” was released by Prince as a free download on the file-sharing service Napster; this move, along with direct-to-consumer stream and download options on the NPG Music Club, made Prince a digital music visionary. The Rainbow Children is a continued favorite among Prince’s most fervent admirers due to its complex musical narrative, its use of live drums and a full horn section, and the striking album art by artist Cbabi Bayoc, which still hangs in the hallowed halls of Paisley Park today. The CD has long been out of print and the original vinyl was incredibly limited and copies fetch hundreds of dollars. This new double LP vinyl edition comes on limited edition crystal clear vinyl packaged in gatefold packaging along with an exclusive Prince rainbow slipmat.

Dry is PJ Harvey’s stark, seminal 1992 debut album ... a fully-formed call-to-arms! Features "Dress" and "Sheela-Na-Gig". Back in print, the LP is pressed on 180-gram vinyl.


Also Available

Dry – Demos CD / LP		Peaky Blinders Original Music From The TV Series 2CD / 3LP

12" Vinyl Standard jacket with printed inner sleeve

Barely a year after the release of their acclaimed debut album 'Dogrel' (which charted Top 10 in the UK, earned a Mercury Prize nomination, Fallon performance, and #1 Album of the Year positions for BBC 6Music and Rough Trade), Fontaines DC have returned with an intensely confident, patient, and complex sophomore album. 'A Hero's Death' arrives battered and bruised, albeit beautiful - a heady and philosophical take on the modern world, and its great uncertainty.

‘Rough and Rowdy Ways’ is Bob Dylan’s first album of original material in 8 years and his first since becoming the only songwriter to receive the Nobel Prize for Literature, in 2016. Its 10 tracks include the three new songs released this spring: the album’s lead-off track, “I Contain Multitudes,” the nearly 17-minute epic “Murder Most Foul” and “False Prophet.”

Notes On A Conditional Form is The 1975's highly anticipated fourth studio album. Available May 22nd, the 22-track epic includes hit singles "People" and "Me & You Together Song". The band worked to use as little plastic as possible in the manufacturing of the product. Double LP pressed on clear-colored vinyl, housed in a 100% recycled and recyclable sleeve.

Celebrating 40 years of Rush's Permanent Waves, deemed the poignant moment the band reinvented themselves and their sound. The 3LP Deluxe Edition features original vinyl packaging with a newly designed gatefold jacket for the two discs of live bonus tracks (from the 1980 World Tour). With a 20-page booklet of reimagined artwork by original designer Hugh Syme & unreleased band archive photos. Housed in a slipcase. Features hits like "The Spirit Of Radio" and the cinematic "Jacob's Ladder".

Recorded in Hull, UK in August of last year, MTV Unplugged showcases Liam Gallagher’s solo career highlights alongside Oasis classics in new arrangements featuring backing choir, a string section and more. The MTV special aired globally in September in celebration of the release of his second solo album WHY ME? WHY NOT and includes the solo hits “Wall of Glass” and “One of Us” as well as Oasis’ global smash single “Champagne Supernova”.

Rated PG is a collection of Peter Gabriel songs from the movies. Having always loved the combination of film and music (aged 17 he gave up a place at film school to pursue a career in music) Peter Gabriel’s first opportunity to really marry these twin interests came when he was asked to create the music for Alan Parker’s film Birdy in 1985. Further film work, including his music for Martin Scorsese’s The Last Temptation of Christ (that became the album Passion) and the soundtrack to Philip Noyce’s film Rabbit-Proof Fence (released as the album Long Walk Home), has continued to feed that interest. “I have always loved film and any chance I have been offered to work with good film projects and good directors I have jumped at. This is a mixture of songs that have been written for specific films, and existing songs that found an appropriate place in a story. Consequently, there is a mix of different styles and moods.” – Peter Gabriel Alongside those longer soundtrack commissions Peter Gabriel has also regularly contributed songs to a diverse range of movies and Rated PG explores this other connection forged by Peter between his music and film. Rated PG is an opportunity to bring together in one place, for the first time, a selection of songs written especially for, or used to notable effect in, movies and includes new and previously unreleased versions, otherwise unavailable songs and a brand new track. Originally released for Records Store Day in April 2019, where the album was a single LP picture disc in a die-cut sleeve the album is now being released as a CD and standard black vinyl LP. The LP has been half-speed mastered by Matt Colton at Metropolis Mastering and comes as 180g vinyl and a hi-res download code.

Third Man Records is proud to announce the first new LP in almost seven years from Brendan Benson. DEAR LIFE arrives via Third Man Records on Friday, April 24.

Benson’s seventh solo album and first full-length release via Third Man, DEAR LIFE is heralded by the rhapsodic first single, “Good To Be Alive.” “’Good To Be Alive’ is kind of weird, to be honest,” Benson says, “But that’s what I’m most excited about. It says a lot about this record, it’s almost got a split personality or something. It’s totally bizarre – I still sit back and listen to it, thinking, that’s so cool! It’s like somebody else played it, it’s not the same old me.”

Benson finds himself in an enviable spot as he enters the third decade of a remarkably creative, consistently idiosyncratic career – an accomplished frontman, musician, songwriter, producer, band member, husband, and dad. DEAR LIFE marks this consummate polymath’s most inventive and upbeat work thus far, an 11-track song cycle about life, love, family, fatherhood, and the pure joy of making music. Produced and almost entirely performed by Benson at his own Readymade Studio in Nashville, the album sees the Michigan-born, Nashville-based artist – and co-founder, with Jack White, of The Raconteurs – reveling in a more modernist approach than ever before, fueled by a heady brew of cannabis, hip-hop, and a newly discovered interest in software drum programming. The result is an untapped playfulness that elevates expertly crafted songs like the future funk-fueled opener, “I Can If You Want Me To,” and the ecstatic “Richest Man Alive” with voluble arrangements, elastic grooves, and incandescent power. Imbued with revitalized ambition and confidence, DEAR LIFE is Brendan Benson at his very best.

“There's something about this record,” Benson says. “A friend of mine called it ‘life-affirming.’ I thought it was a joke at first but then realized, well, it’s about life and death for sure. I don’t know if that’s positive or optimistic or whatever, but that's what's going on with me.”

Ghosts of West Virginia centers on the Upper Big Branch coal mine explosion that killed twenty-nine men in that state in 2010, making it one of the worst mining disasters in American history. In ten deftly drawn sonic portraits, Earle and his band the Dukes explore the historical role of coal in rural communities. More than merely a question of jobs and income, mining has provided a sense of unity and meaning, patriotic pride and purpose.

Chronology: 2006-2018 is a collection of hits, fan favorites, additional b-sides, rarities and bonus tracks, culled from the complete studio album recordings of The Sword. Features 12 previously unreleased tracks. 3-CD Box Set with individual CD sleeves, housed in a two-piebox with lift-top, casebound book style with 76-pages.

"It was in winter 18/19 - I flew to Montreal to meet with Tim Kingsbury, Richard Reed Parry, Craig Silvey and Teddy Impakt at Le Studio Du Arcade Fire. It was a fine time with a dream team in a city I love. Winter in beautiful Quebec. Les semaines les plus froides de ma vie. I had a bunch of demos that were inspired by migration stories I had heard from friends or read in newspapers while on tour in Europe and North America. I remember being struck by the similarities of the stories I heard from both continents and how really only the names of the powerful and the powerless had changed - thinking, "Is this the future? Is this our future?"Some time went by, the stories wove together and I remember them now closer to characters in a dream of how people could treat each other than any kind of front-page news realism. I think music subconsciously - whether writing or listening - is a filter for me - helping to process all the bad news into something new to build from - some records to me are like self-fulfilling prophecies - visualizing change to wish something into being - those records inspired this one." - M. Ward

WOMB is Purity Ring's long-awaited third album, following the much-loved and extremely influential Shrines (2012) and Another Eternity (2015). The 5-year gap between albums has only served to distill the gorgeous and ethereal Future Pop for which the band is known.

Norah Jones’ seventh solo studio album Pick Me Up Off The Floor features collaborators from Brian Blade to Jeff Tweedy, and grew out of her acclaimed singles series of the past 2 years as the songs she hadn’t yet released unexpectedly congealed into an album of tremendous depth and beauty connected by the sly groove of her piano trios, lyrics that confront loss and portend hope, and a mood that leans into darkness before ultimately finding the light.

Frank Zappa And The Mothers -"The Mothers 1970" - A 4-CD collection commemorating the 50th anniversary of the 1970 Mothers with 70 unreleased tracks. Personnel includes Mark Volman & Howard Kaylan (Flo & Eddie), George Duke, Ian Underwood, Jeff Simmons and Aynsley Dunbar. Featuring unheard studio sessions from Trident Studios in London England with engineer Roy Thomas Baker, and historical live performances mostly captured by Zappa's own tape recorder. Clam Shell Box with 4 discs, booklet and a button.

"I want nothing more than to be alone," Emily Kempf sings early on Flower of Devotion, the third album by Chicago trio Dehd. It's a startling admission coming from a songwriter who, just a year ago on Dehd's critically acclaimed Water, wrote eloquently about the joys and pains - more than anything, the necessity - of love, compassion, and companionship. But then, "admission" isn't really the right word here, given the stridency of Kempf's tone. "Loner" is a declaration.

The record ups the ante on Dehd's sound & filters in just enough polish to bring out the shin­ing and melancholy undertones in Jason Balla and Emily Kempf's songwriting, even as it cap­tures them at their most strident. Balla's guitar lines at times flirt with ticklish cosmic country, while at others they reflect the dark marble sounds of Broadcast. Kempf, meanwhile, estab­lishes herself as a singer of incredible expressive range, pinching into a high lonesome wail, letting loose a chirping "ooh!," pushing her voice below its breaking point and letting it swing down there. When she and Balla bounce descending counter-melodies off one another over McGrady's one-two thumps, or skitter off over a programmed drum pad, they sound like The B-52s shaking off heartache.

What makes Flower of Devotion so impressive is how its creation seems to have strengthened its creators, both as individuals and as unit, even as they've stared down their own limitations. It's also striking just how much fun they seem to be having in the process. "It's okay to be lighthearted in the face of despair," Kempf says. It's a theme that runs through the album, from the opening back-and-forth build of "Desire" to the click-clacking chorus of "Haha," which finds them deflating their own history. Flower of Devotion was recorded in April and August of 2019 in Chicago. It will be released on Fire Talk Records on July 17th 2020.

Black Pumas has announced their highly anticipated debut album set for release on June 21. The band is led by the creative partnership between Grammy Award-winning guitarist / producer Adrian Quesada and 27-year-old songwriter Eric Burton. Burton is a relative newcomer who arrived in Austin in 2015 after busking his way across the country from Los Angeles, while Quesada has a storied reputation for playing in bands like Grupo Fantasma and Brownout. 

After the two connected via friends in the Austin scene, they began to collaborate on a new sound that transmutes soul into something idiosyncratically modern. Reminiscent of Ghostface Killah and Motown in equal measure, this original sound ensured that Black Pumas’ weekly residency at C-Boys quickly became “the hottest party in town” (Austin-American Statesman). 

Lamentations is a 10-song rumination on the current state of the world around me. I was raised in the faith and the book of Lamentations was always one that caught my attention. A broken man crying out to the heavens, asking why God sat back and let his country fall apart. Questioning the sheer existence of a higher power in the lowest of times. How could an all loving God sit back and let an entire nation’s cry for help go unanswered? I saw many parallels in that story and the current climate of this country in 2020. There are a large group of people who were promised something in 2016. They are still waiting for those promises to be fulfilled. This is a record about the things that break people. Religion, politics, addiction, love, money, family, history. I believe it is an empathetic look at the other side. A group of stories about losing everything and still finding the will to stand back up and fight for the things that matter the most.  - BJ Barham

Paul Weller’s 15th solo album, On Sunset, is a soul album. At the same time it’s an electronic album, an orchestral album, an album packed with classic pop songs and heart-tugging ballads, and an album filled with touches of experimentalism. It’s also an album that sees Weller taking a rare glance into the rear-view mirror as he speeds into the 2020s.

When asked to describe himself, Whitmer Thomas—comic, musician, skateboarder, infamous Blink182 fan—will tell you, “I’m always gonna be the one whose mom called him ‘the Golden One,’ right before she died.” This is where his debut HBO comedy special, The Golden One, finds Whitmer: age thirty, investigating this sense (curse?) of destiny-as-identity. It’s been thirteen years since he left Alabama for LA, becoming a linchpin for LA’s young, independent comedy scene with Power Violence, the monthly show he hosted with friends. But he became haunted by the question: had he already peaked, just like his mom, singer in a local band with big ambitions that never made it out of the Flora-Bama Lounge in Gulf Shores? Rather than shy away from all that messy self-mythology, Whitmer tapped the source of it all through writing this one-man show featuring his own original music. Songs from The Golden One, a companion album of songs from the special, features Whitmer’s darkwave bangers, synthesizing relatable content: millennial anxieties, therapy-speak jokes, and the annals of his own childhood tragedies. Songs from The Golden One feature ten cuts of borderline-John Maus cosplay with spasms of pop-punk absurdity. Thomas uses the gothy, nasal vocal drone as a tool of comic detachment to cover the funny-’cause-its-true territory of awkward sex, crippling insecurity, the shame of ambition, and the long tail of abandonment traumas. Each song is a capsule of initial therapy breakthroughs: those realization zingers where suddenly it all makes sense how each fucked variable from then makes up the weird shit of now. When you see it all for what it is, it looks like some sick, clever joke from the universe, driving you desperate to revise the comedy so that if you have to be reality’s punchline, at least you can write the jokes. Original tracks from the special include the shimmering, synthy euphoria of “Eat You Out,” a glorious admission to performance anxiety and the ol’ magician’s cloak of cunnilingus move. There’s “The Codependent Enabler,” a whole jungle gym of toxic relationship rationale where “I can only get it up if you are down,” and the sadboy sobriety anthem “Partied to Death,” about when you’re young in LA and you have to tell people that you’re not “Cali sober for wellness,” you’re sober because your mom actually died from addiction. At first pass, Whitmer’s special and album make a relevant, hilarious articulation of one tragic childhood, of the messiness of masculinity, of the timeless qualms of being broke with a dream in Los Angeles, and the humiliation inherent in having “a dream” at all. But in flashes of unexpected weirdo wisdom, Whitmer weaves a deeper story of a person finding reconciliation and forgiveness while finding his own self and voice. He faces his darkness with darkwave, writing the story of his objectively insane youth through a Venn diagram of cool guy music, goofy dude jokes, and sensitive boy reflections that hit in a way that feels bigger than the sum of its parts. Whitmer will say that he made The Golden One out of desperation, but there’s something about it that feels a lot more like destiny.

The members of the original Joshua Redman Quartet—Redman(saxophone), Brad Mehldau(piano), Christian McBride(bass), and Brian Blade (drums)—reunite with the July 10, 2020 release of RoundAgain,the group’s first recording since 1994’s MoodSwing.The album features seven newly composed songs: three from Redman, two from Mehldau, and one each from McBride and Blade. 

Wavves will be celebrating the 10th anniversary of their album "King Of The Beach" this year with a reissue on "Purple kush vinyl" with alternate art that was originally slated to be the cover but was eventually scrapped. It will come with a bonus 7" featuring two songs from the "KIng Of The Beach" era called "Mutant" and "Stained Glass (Won't You Let Me Into Yr Heart)".

Amy Ray and Emily Saliers are Indigo Girls. Together they write, arrange, record and perform music which and have become a vital part of the lives of their worldwide devoted fanbase. Their first new studio album in 5 years, Look Long is a testament to their storied 40-year career. Produced by John Reynolds at Peter Gabriel's Real World Studio in England. Features 11 brand new tracks, all written by the pair. 2-LP in double-pocket gatefold packaging with poster.

After The Rainbow Children release and before the release of the One Nite Alone… studio album, Prince embarked on a tour of the same name. However, as opposed to the intimacy of the largely solo One Nite Alone… album, this upbeat trek through theaters in North America featured the full talents of Prince’s ever-expanding New Power Generation band. Members at the time included drummer John Blackwell, keyboardist Renato Neto and longtime collaborators like bassist Rhonda Smith and a horn section that included saxophonists Eric Leeds, Candy Dulfer and Maceo Parker. Taken from the highlights of 9 different shows in March and April of 2002 and clocking in at over 2 hours, the resulting 4 LP collection One Nite Alone…Live! was the first official live album of Prince’s career and the 27 tracks included feature selections from The Rainbow Children as well as Prince’s extensive back catalog, played with the full NPG as well as several solo piano excursions (“When U Were Mine,” “Raspberry Beret,” “Adore,” “The Beautiful Ones,” “Nothing Compares 2 U”). This release marks the first time that it’s available on vinyl.

Sleaford Mods are set to continue their onslaught into 2020 with the release of All That Glue, a collection of songs spanning the last seven years of the bands career; an array of crowd pleasers, B sides, unheard tracks and rarities for fans and the curious, released via Rough Trade.

Limited orange colored ten-inch vinyl pressing. Following the band's Global Citizen performance, The Rolling Stones have released a new song, "Living In A Ghost Town". This is the band's first new material in eight years. The track was written by Mick and Keith which was created/recorded in Los Angeles and London while in isolation. An official music video showcasing empty cities around the world premiered recently.

Thirty Tigers artist Reckless Kelly's release new album 'American Jackpot / American Girls' This is the follow up to 2016's 'Sunset Motel', this new collection of songs from songwriter Willy Braun finds the band covering topics ranging from the duality of the American Dream to the simple things such as American Baseball and deep family ties.

- Focus Track "American Girls " - "I Only See You With My Eyes Closed" to be worked to Texas and Americana radio formats. - Working on extensive plans for visual creative content to tie into IG tracks and the overall narrative behind this two album set. The Grammy nominated Backstage Design Studio is overseeing creative - US press campaign being led by Joe Sivick and Missing Piece Group - Known for their impressive work ethic on the road, the band will be supporting this new album with extensive US touring.

This 2 LP release documents Prince’s mythic late-night after show performances. Never available as physical stand-alone release and only available originally on CD as part of the One Nite Alone box set exclusive to NPG Music Club members, the album features an hour of amazing jams and includes guest appearances by George Clinton and Musiq Soulchild.

As the world greeted the promise of a new millennium, even Prince was experiencing a great sense of transformation. In 2000, he announced the reclamation of his birth name after seven years as an unpronounceable symbol. In 2001, after a period of study and debate with his friend and mentor Larry Graham (former bassist for Sly and The Family Stone), Prince converted to the Jehovah’s Witness faith. These transformations bore fruit with the release of The Rainbow Children at the end of 2001. Billed as “controversial” in its press materials for its open spiritual message, the jazz-inspired record was Prince’s first fully independent release, issued without any major label backing. One of its songs, “The Work, Pt. 1,” was released by Prince as a free download on the file-sharing service Napster; this move, along with direct-to-consumer stream and download options on the NPG Music Club, made Prince a digital music visionary. The Rainbow Children is a continued favorite among Prince’s most fervent admirers due to its complex musical narrative, its use of live drums and a full horn section, and the striking album art by artist Cbabi Bayoc, which still hangs in the hallowed halls of Paisley Park today. The CD has long been out of print and the original vinyl was incredibly limited and copies fetch hundreds of dollars. 

Double vinyl LP pressing. 2020 release. Women in Music Pt. III is the third studio album by American band HAIM. Released through Columbia Records. It was produced by Danielle HAIM, Rostam Batmanglij and Ariel Rechtshaid, and was preceded by the singles 'Summer Girl', 'Now I'm in It' and 'Hallelujah'.

Prince would follow The Rainbow Children with the stunning One Nite Alone… in May 2002. Featuring almost nothing but Prince’s acoustic piano and vocals (save for occasional rhythm from drummer John Blackwell and the ambient cooing of Divinity and Majesty, Prince’s pet doves), this intimate album offers favorites like “U’re Gonna C Me” and a cover of “A Case Of U,” written by one of Prince’s idols, Joni Mitchell. The original album never had a wide physical release as the CD was an exclusive to Prince’s NPG Music Club members and this marks it’s first time on vinyl.

Between The Buried And Me is the self-titled first studio album by the GRAMMY-nominated progressive metal five-piece. Formed in 2000, the band originally released this album with Lifeforce Records in 2002 and soon after gained the attention of iconic Chicago-based record label Victory Records. Victory signed the band and re-released the record as an enhanced CD in 2004. Described as “one of the fiercest albums in the hardcore community” by AllMusic, this formative album set the band up to be a key player in the evolving hardcore scene. While the album was praised for its brave blend of mathcore, grindcore and death metal elements into their already unique sound, the lyrics also set them apart from their peers. The band addressed their thoughts on controversial topics ranging from politics to organized religion – issues not often addressed in this music scene at this time. This pressing has been newly remixed and remastered to commemorate the band’s 20th anniversary.

Corb Lund embraces his rich and rustic western heritage with a style that’s unique, honest and resolute, while touching on a range of cowboy themes — from rough-and-tumble tales of lawless frontier saloons, to the sombre realities of running a modern family ranch. As a descendant of many generations of rodeo contestants and ranchers, he sings about a life that he and his ancestors have lived themselves, paired with his quick-witted, wry observations of today’s world. As a result of his heritage and the ten years he spent touring the world with his indie rock band, Corb’s writing resonates emphatically with rural and urban audiences alike. It’s a classic sound with a twist, something of a rarity these days, but one that evokes the spirit of the American West, past and present.

Corb Lund’s 11^th studio album, Agricultural Tragic, finally puts a name to the genre he’s been embodying all of these years.

Enhanced with PlayARt - Augmented Reality

'The man singing these songs isn't exactly the same man who wrote them,' says Pokey LaFarge of Rock Bottom Rhapsody, his eighth and latest studio release. 'This album is about the story of who I used to be.' In early 2018, LaFarge ' searching for the sort of artistic freedom and inspiration he wasn't finding in the Midwest ' relocated from his longtime home base of St. Louis, Missouri, to Los Angeles, California. New songs came quickly to LaFarge in his new environment, but new temptations soon found him, as well. Though he declines to get into specifics, LaFarge admits that he experienced a significant 'fall from grace' during the last months of 2018. 'Things sort of started to unravel in my mind,' Shortly before the recording of Rock Bottom Rhapsody began, LaFarge experienced a spiritual awakening ' and the faith he re-embraced in his hour of darkness helped to buoy him through the making of the album. Though he was struggling for spiritual equilibrium at the time, LaFarge at least had some rock-solid musical support to lean on. Recorded primarily at Reliable Recorders on Chicago's Northwest side, Rock Bottom Rhapsody was produced by LaFarge's friend and collaborator Chris Seefried (who also co-wrote several of the album's tracks), and features the considerable talents of guitarist Joel Paterson, keyboardist Scott Ligon, upright/electric bassist Jimmy Sutton, and drummer Alex Hall. Musically, LaFarge continues to mix and match a wide variety of styles and traditions, while never losing track of his own vision This record is kind of like Roy Orbison and Bob Dylan hanging out with chanson singers and French jazz bands in like the forties, but I was never trying to make it sound like a particular person. Despite the trying period that preceded its recording, Rock Bottom Rhapsody is ultimately far more uplifting and life-affirming than its title would suggest. 'That desperation, that struggle,' LaFarge ponders, 'Did it add something to the record? It certainly did. I mean, I don't know if it made it better; it just is what it is. It's not up to me to decide if people are going to feel that'

When Finnish sextet NIGHTWISH announce a new studio album people tend to take notice. They know that something special is brewing. Band leader Tuomas Holopainen once said that whenever he creates a new record he has the intention of capturing something rare and unique, a monument and a true album experience. In 2020 he’s certain to achieve his objective once again. NIGHTWISH have completed the recordings for “HUMAN. :II: NATURE.”, their 9th studio album.

“HUMAN. :II: NATURE.” will be released on 10th April 2020. The long-awaited record, following 2015’s critically-acclaimed, conceptual masterpiece “Endless Forms Most Beautiful”, will be a double album containing 9 tracks on the main CD and one long track, divided into eight chapters on CD 2.

“HUMAN. :II: NATURE.” was recorded from August to October 2019 at Röskö campsite, Petrax Studios and Troykington Castle, as well as Finnvox Studios, by Tero Kinnunen, Mikko Karmila and Troy Donockley. The mixing was done by Mikko Karmila at Finnvox, with Tuomas Holopainen and Tero Kinnunen. Mastering was done by Mika Jussila at Finnvox.

Award-winning duo Maddie & Tae are drawing praise for their new music “anchored around their stellar vocal pairings and some of the tightest harmonies on Music Row” (Rolling Stone). Maddie & Tae first broke out in 2013 with their brilliant take down of bro-country, “Girl In A Country Song,” which took Country radio by storm, skyrocketing to the top of the charts and quickly going PLATINUM. The duo became only the third female duo in 70 years to top the Country Airplay charts, also earning trophies from the Country Music Academy and Radio Disney Music Awards along with multiple ACM, CMA and CMT Award nominations. Receiving widespread praise from NPR, Billboard, Entertainment Weekly, The Washington Post, Glamour and others, country music’s hottest stars including Dierks Bentley, Lee Brice and Brad Paisley have welcomed Maddie & Tae on the road, with Carrie Underwood recently inviting the duo out as direct support on her 2019 The Cry Pretty Tour 360. On April 10th, Maddie & Tae will release new album, "The Way It Feels". CD packaging includes a free poster offer, valid thru 10/1/20.

Amassing over 2 billion streams, British four-piece Glass Animals is led by singer/songwriter/producer Dave Bayley with bandmates and childhood friends Joe Seaward, Ed Irwin-Singer & Drew MacFarlane. A fan favorite, their album How To Be A Human Being was one of the most critically acclaimed records of 2016. Now, Glass Animals is back with new album DREAMLAND. Featuring hit singles “Tokyo Drifting” with Denzel Curry and “Your Love (Déjà Vu)”.

How To Be A Human Being has received praise from various press outlets, including Billboard, Pitchfork, The FADER, The Guardian, The Telegraph and more. Glass Animals has also made appearances on Jimmy Kimmel Live!, The Late Show with David Letterman, Late Night with Seth Meyers and The Late Late Show with James Corden. As well as producing both of Glass Animals’ studio albums, ZABA and How To Be A Human Being, Dave has worked with a number of artists outside of the band, including 6lack, Khalid, Joey Bada$$, DJ Dahi, Flume and MorMor.

BRONSON, the brand new group by ODESZA and Golden Features, unveils their debut self-titled album on Foreign Family Collective / Ninja Tune. BRONSON is available on clear LP, limited edition black and yellow LP, and CD. GRAMMY-nominated duo ODESZA and acclaimed Australian producer Golden Features have come together to form the powerhouse group BRONSON. The self-titled album BRONSON pushes the soundscapes of their previous projects to explore the darker edges of dance music. The LP features heavyweight collaborations from lau.ra of Ultraista, Gallant, and Totally Enormous Extinct Dinosaurs. The BRONSON album reflects on their respective needs to challenge personal struggles, both internal and external. Moreover, the trio recognized that their own battles were merely microcosms of the surrounding world. The hope was to craft a body of work that was reflective of that duality of lightness and darkness inherent to the human condition.

Luke Bryan will be releasing his latest album on August 7th. `Born Here Live Here Die Here' includes the #1 hit "Knockin' Boots" and his current hit single "Whatever She Wants Tonight". Bryan is known for his catchy, chart-topping tracks like ""Country Girl Shake It For Me" which was included in Billboard Magazine's "100 Songs that Defined a Decade" list out last month.

Laura Marling’s exquisite seventh album ‘Song For Our Daughter’ arrives almost without pre-amble or warning in the midst of uncharted global chaos, and yet instantly and tenderly offers a sense of purpose, clarity and calm. As a balm for the soul, this full-blooded new collection could be posited as Laura’s richest to date, but in truth it’s another incredibly fine record by a British artist who rarely strays from delivering incredibly fine records. Taking much of the production reins herself, alongside long-time collaborators Ethan Johns and Dom Monks, Laura has layered up lush string arrangements and a broad sense of scale to these songs without losing any of the intimacy or reverence we’ve come to anticipate and almost take for granted from her throughout the past decade.

MAP OF THE SOUL: 7 – THE JOURNEY contains 8 of BTS’ biggest hits, now performed in Japanese. In addition, the album features 2 Japanese new and original tracks and a brand-new intro and outro, plus the hit Japanese single “Lights.” This jewel case CD contains a 20-page booklet and 1 photo card (Random 1 of 7 types of ‘selfie ver.’ / for first press only). It also comes with a square photo card available only outside of Japan (same design across all editions).

The new album from Charley Crockett is perhaps even more potent proof of his literal heartbreak than the scar on his chest. After undergoing open heart surgery that saved his life, Charley says he considered calming down for “just a minute” but once he recovered he did just the opposite. He states boldly with one eyebrow raised, “I wanted to make an album that would change the entire conversation about country music.”

That album is Welcome to Hard Times , an aptly-named collection that perfectly fits these troubled days even though it was made just before the pandemic hit. The music was shaped by his heart issues and producer Mark Neill’s desire to make “a dark gothic country record.” Charley certainly knew how to deliver that. “I think you can hear that deep, dark sadness in this record,” he says, “but I think it’s the kind of darkness that will uplift others.”

The third solo album from the Chilean-American multi-instrumentalist and vocalist, who is a founding member of several bands, including the alternative rock group Eleven, and has been involved with acts such as Queens of the Stone Age, Them Crooked Vultures, PJ Harvey, Chris Cornell, Arctic Monkeys, Mark Lanegan and The Desert Sessions, both as a musician and as a producer

Golden ticket Yellow Vinyl. Growth with no reward. Finding strength in your less desirable traits. Coming up with the perfect comeback hours later in bed, glaring at the ceiling. Asking yourself: am I improving, or am I just changing into something unrecognizable? Chicago quartet Ganser probe the futility of striving for self-growth during the chaos of our times for dark comedy and jagged sounds on their potent new LP, Just Look at That Sky. Equal parts Space Odyssey and Ghost World, Ganser released their debut LP Odd Talk in 2018 to favorable coverage from The New York Times, Billboard, and Stereogum. Building on their dissociative disorder namesake, the album's tone vacillated between frenzied and contemplative, probing on questions of communication, intimacy, and avoidance. On Just Look at That Sky, Ganser further explores the personal inner climate of uncertain times. Opening track "Lucky" announces an explosive energy that evokes the Midwest noise-rock legacy of bands like Jesus Lizard and Shellac, while embracing a more colorful palette of post-punk and art rock influences. Nadia Garofalo and Alicia Gaines, a self-described two-headed monster who share lead vocal duties, can bring both a recalcitrant cool worthy of Kim Gordon and a booming sneer that recalls Poly Styrene; the discordant interplay of Charlie Landsman's guitar and Brian Cundiff's drums on standouts "Self Service" and "Bad Form" build to blistering climaxes that wouldn't feel out of place on Red Medicine-era Fugazi. And then there's Ganser's lyrics: manic explorations of worry and dread mark this record, the epic messiness of daily life in our damaged times attacked with sardonic specificity as often as generalized doom. Just Look at That Sky isn't afraid to acknowledge that we're all Extremely Online all the time, but rather explicitly owns it. These songs chart inner monologues of emphatic confusion, emotions already deeply felt further ratcheted up by the anxiety of always having too much information about other people, and always being just one tweet or status update away from knowing what everyone really thinks about us. This culminates in closing track "Bags for Life," which imagines how online discourse might tackle a front-row seat for the end of the world. These are songs that never shy away from ugliness and confusion, that believe embracing the totality of the self sometimes means leaning into our dickish behavior. In the past, some listeners have had trouble reconciling non-male voices with the sorts of topics Ganser writes about, but that comes to an end with Just Look at That Sky. Co-produced with Electrelane's Mia Clarke and engineer Brian Fox, this is an assured, fully realized triumph of a record from an art-punk band that's figured out how to focus on making great art, even if everything else around them falls apart.

Few artists understand the human condition like 6-time Grammy nominee Brandy Clark. Working again with acclaimed producer Jay Joyce, Your Life is a Record takes her unerring eye for detail and a genre-melting sense of melody to examine personal truths, revelations and emancipations with wit, grace and compassion. Working with just four acoustic-based musicians, intimacy was the goal. Memphis strings and horns, guest appearances from Randy Newman (“Bigger Boat”) and guitarist John Osborne color in the sketches – creating a depth to what is easily Clark’s most revelatory record yet

Jordan Davis will release a six song EP on June 19th as a follow-up to his GOLD selling debut album Home State. Jordan had 3- #1 songs on his debut album including "Singles You Up", "Take It From Me", and "Slow Dance In A Parking Lot". This EP will be a bridge for his second full-length album that will be forthcoming. Jordan is nominated for the 2020 ACM Best New Male Artist of the Year and the show will be broadcast in September. CD housed in slip sleeve with mini-jacket packaging.

Orange, which features six of Pulitzer-Prize winning composer Caroline Shaw’s pieces for string quartet, is the first full-length album to exclusively feature works by Shaw. It is also the first release in a new partnership between the two record labels, established with the goal of enabling contemporary American composers to realize creative ambitions that might not otherwise be achievable. Shaw describes the world she built for Orange as a garden that she and Attacca Quartet are tending. She used the group’s centuries-old combination of two violins (Amy Schroeder and Keiko Tokunaga), viola (Nathan Schram), and cello (Andrew Yee) to create a rich environment where traces of what has grown there before—left by Haydn, Mozart, Ravel, Bartok, Bach, Monteverdi, and Josquin—provide nourishment for new life.

Coming July 24th: Spoon's first EP Soft Effects is back in print for the first time since its initial release nearly 25 years ago. Newly recut from the original masters, the EP is available on vinyl and as part of a CD compiling the five tracks with Spoon's debut LP Telephono. Soft Effects vinyl features blue sky cover never before used in physical packaging.

Coming July 24th: Spoon's debut LP Telephono is back in print for the first time since its initial release nearly 25 years ago. Newly recut from the original masters, the 14 tracks are available as a single LP or as a CD that includes the five song 1997 EP Soft Effects.

180gm vinyl LP pressing in gatefold jacket. Gaslighter is the brilliant 2020 album from The Chicks, and is the fifth studio album to be released by the band. It is The Chick's first new album since 2006's Taking The Long Way, which won five Grammy Awards including Album of the Year, Record of the Year, and Song of the Year. Gaslighter is produced by Jack Antonoff with The Chicks. Superstars, renegades, innovators, heroes, villains, and moms, The Chicks have grown from a band into a cultural phenomenon. Since the release of their debut album, Wide Open Spaces in 1998, The Chicks' music has stirred emotions in fans across the world, making them one of the biggest and most influential bands of our time.

INCLUDES FULL BOARD GAME WITH GAME PIECES!!!

Pop on Floor It!!!, the new and second full-length effort from the Texas Gentlemen, and prepare your eardrums to be hit with everything from woozy, brass-fueled Dixieland-style jazz (“Veal Cutlass”), to slinky, chicken-scratch country funk (“Bare Maximum”) to lushly orchestrated pop-soul balladry (“Ain’t Nothin’ New”)—and that’s all in just the first 10 minutes of play time.

While the Gentlemen’s sound is clearly steeped in the classic roots, rock and pop music of the ‘60s and ‘70s, there’s a dreamy (the lilting “Sing Me to Sleep”), spacey (“Skyway Streetcar”) and occasionally progressive (“Dark at the End of the Tunnel”) element to what they do that seems to detach the music from belonging to any particular place and time. Add in elements of funk, soul, country, r&b, southern rock, gospel and essentially any other style that catches their musically omnivorous ears; an expansive and detailed approach to arrangement that sees the songs adorned with all manner of horns, strings and heavenly background vocals (“Hard Road”) and you have a collection of tunes that is more than just a mere album. Rather, Floor It!!! is a rich and righteous ride.

 

Do You Turn Red? is both a guidepost pointing toward what may come - such rich mood and color practically begs for transmedia worldbuilding - and a snapshot of this moment. Peter Manos is at the front of his career, full of ideas, and all of them tangibly intimate. Despite joining Capitol in 2019 and relocating from Dallas to the heart of LA, Manos still makes music in a vacuum of sorts. He works almost exclusively solo out of his apartment, in a bedroom turned recording den. 2020 EP release.

S.G. Goodman was raised in Western Kentucky on the Mississippi River Delta in a strict church going family of row crop farmers. Her debut solo album, co-produced with fellow Kentuckian Jim James, showcases S.G.'s otherworldly voice, which soars above a sonic blend of gritty guitars, bottomland grooves and plaintive balladry."

Vinyl LP pressing. 2020 release, the fifth album from the British rockers. The follow-up to Full Nelson features 12 new tracks. The members of Massive Wagons say: "Times are hard and scary right now. We want to do all we know how to do - that's bring music to people. Everyone needs to look after each other because we are all In It Together. We hope our music sends positive vibes to everyone affected by the situation, and see you on the road when normality is restored."

Chicago bred trio The Lawrence Arms will release Skeleton Coast, their first album in six years, on July 17.

Skeleton Coast was recorded 30 miles east of El Paso, TX at Sonic Ranch Studios with longtime producer Matt Allison. It was kind of like album camp in the sense that we were in this very remote setting for two weeks and really focusing on making the record. That was a very different experience for us because we’ve always made our records in Chicago which is home and all the things about home are in the way,” says vocalist and guitarist Chris McCaughan.

The album contains the elements of the band’s sound that fans have come to love for the past two decades but recontextualizes them in a way that somehow sounds perfectly aligned with this strange time in our collective history. Although it was written and recorded before the Coronavirus upended the world, the band’s seventh studio album sounds eerily prescient as it imagines an apocalyptic future where coyotes croon and wolf packs roam free. “For a band who has been around as long as us, this is about as urgent of a record as we could make,” vocalist and bassist Brendan Kelly explains. “It may be kind of dark but it’s really about searching for light in the darkness and finding it, as small as those moments may seem. That’s sort of where we’re at: Collecting the scraps of things that could make for a bearable existence in dark times.”

Lianne La Havas's self-titled, third album spans the arc of a relationship. "What plays a big role in the album is the idea of the life cycle of plants and nature—equating this journey with a seasonal thing that blooms, thrives, goes away, and comes back even stronger," she says. Its musical references are as varied as Milton Nascimento, Joni Mitchell, Jaco Pastorious, Al Green, and Destiny’s Child. In keeping with the album's intimate feel, everyone who contributed is a trusted collaborator, including longtime songwriting ally Matt Hales, co-producer Beni Giles, and guest co-producer Mura Masa.

Arca is one of the world's most transformative musical talents. Since breaking through with her 2012 EPs Stretch 1 and Stretch 2, she's created an unprecedented body of work drawing from club music, experimental noise, and the ballad tradition of her native Venezuela, while reaching beyond music to encompass performance, visual art, and technology. As a collaborator with Björk, Kanye West, and FKA twigs, she's stretched contemporary music's sonic boundaries and helped set the sound of her era. As a Latinx nonbinary trans woman, she's redefined the role of the diva for a new generation. Her latest work is KiCk i, the first in a series of upcoming works, each with it's own sonic theme. For the first installment, KiCk i, Arca pursues pleasure, dignity, and dance floor liberation by refracting club music, reggaetón, and pop through her radical vision.

Yaeji's 'What We Drew' is titled intentionally; the project is as much indebted to her own singular creative vision as it is to her network of close-knit collaborators and friends, a team she's described as a 'family business.' She's inspired by both Korean indie rock and electronica that she listened to as a teenager in Seoul as well as late '90s and early 2000s hip hop and R&B and in her first full-length release. While entirely self-produced, she's careful to classify it as a mixtape, which belies the way that these songs came together: 'Each track is almost like a snippet of my life, a look into my diary or something, where it's reflective of how I was specifically feeling during that time.'

Bing & Ruth, the ever-evolving project helmed by New York composer David Moore, is releasing Species, the 7-track, 49-min record July 17. Species is an exploration of the sonic possibilities of the Farfisa organ, aided only by a clarinet and double bass.

Sarah Jarosz’s fifth studio album World On The Ground is arguably her finest work to date. Jarosz worked closely with producer John Leventhal on World On The Ground, which offers up some of Jarosz’s best songwriting to date, and showcases that she is one of the most stirring musicians of her generation. This 10-song album is thoroughly beautiful and a testament to Jarosz’s innate ability to capture the hearts of fans around the globe. World On The Ground out June 5th.

The fourth album by Nashville-based Sunshine Pop band. This twelve-song-set is band’s boldest work to date, breaking sonic barriers while maintaining lush melodies and artistic influences. Key tracks include: “Ruby,” “Look To The Horizon,” “One Drop Of Rain,” “Somewhere Else”. Three previous albums: “Freedom Wind” (2008), “Grand Hotel” (2012) and “Together” (2016). Early critical acclaim led to placements in film, television and advertising, as well as favorable press in both print and online. Musically adjacent to successful pop artists from the 1960s, 70s like The Beach Boys, Turtles, Association, Grass Roots. Brainchild of Charleston, SC native Jason Brewer, the only constant “member” of The Explorers Club over the band’s lifespan. Brewer re-unites with Freedom Wind and Grand Hotel producer, Matt Goldman (Copeland, Underoath, Smalltown Poets, etc). New contributors to this incarnation of The Explorers Club include Shane Tutmarc (Dolour, Sean Nelson) and Austin, TX based songwriter, Will Courtney. Songwriting partnership

The Monkees first official live album, recorded live in March 2019. Features 25 hits and fan favorites spanning their entire 50+ year career. Spotlights many of Nesmith's finest compositions including several songs that were never performed live during the Monkees' heyday like "St. Matthew" and "Auntie's Municipal Court". - The Monkees are an American rock band that released music in their original incarnation between 1965 and 1971, with subsequent reunion albums and tours in the decades that followed. They were formed in Los Angeles in 1965 by Bob Rafelson and Bert Schneider for the American television series The Monkees, which aired from 1966 to 1968.

THE HU "The Gereg" deluxe edition includes six additional tracks.  Following the success of the 2019 debut release, The Gereg features viral rock hits "Wolf Totem" and "Yuve Yuve Yu", with additional features from Lzzy Hale of Halestorm, Jacoby Shaddix of Papa Roach and Danny Case of From Ashes To New, whose version of "Yuve Yuve Yu" reached top 10 at rock radio. Hailing from Mongolia, The HU are unlike any other rock band in the world, introducing their new style of music they call "hunnu rock" - from the Mongolian root word for human being, "hu". Since their release, the band has been #1 on the Billboard World Albums Chart, #1 on the Top New Artist Albums, and Top 5 Globally on Hard Rock Music Album Charts (US, Canada, UK, and more). They have toured the world extensively, with sold out shows in Europe, the UK, and the United States. The deluxe CD includes the full album, as well as 3 acoustic tracks and 3 featured versions.

2020 release. "Some of these songs stretch back ten years, and some of them are brand new. It wasn't something we consciously set out to do, but we ended up recording an album that spans our entire journey together: falling in love, breaking up, getting married, leaving home, coming back." - Aslyn Nash. It's hard to think of a more fitting introduction to that journey than Back Of Our Minds, Kalen & Aslyn's gorgeous debut. Written over the course of a decade in which the Athens, Georgia-based duo was primarily known for their own respective projects, the songs here represent something of a look behind the curtain, a captivating series of musical journal entries that reveal the evolution of a relationship in all it's messy, honest, imperfect beauty. Kalen & Aslyn produced the album themselves, and their subtle touch is a perfect match for the record's intimate, understated performances.

Stu Larsen has no fixed residence...all he owns is a suitcase. You can find him in his native Australia, in Spain, Japan or South America before he picks up and leaves for his next destination. The Queensland, Australia-born singer-songwriter, and narrator packed up his life in a suitcase and has circled the globe on a near twelve-year and five-continent international trip. He has chronicled this journey through his music, including his newest full-length album Marigold.

Holy Wave is a band of multi-instrumentalists from Austin, TX. Originally from El Paso, the band’s sound has evolved into a unique blend of sun baked surf-psychedelia. Holy Wave creates a brand of psych that brings to mind fellow Texans like The 13th Floor Elevators and modern contemporaries like The Black Angels and Night Beats, dyed in carefully constructed noise with an attention to detail echoing the work of influences like My Bloody Valentine and Spectrum.

Sports Team a band of six singular characters who have been variously described as one of the most raucous, electrifying and chaotic acts in the UK release their debut album Deep Down Happy. The highly anticipated record, is their first release on the legendary Island Records label. Sports Team came up on the back of word of mouth live hype, drawing round the block queues to chaotic early gigs at The Five Bells and Moth Club before releasing any music. Recording their first EP (Winter Nets) in a converted Timberyard in Hammersmith, the band have consistently set themselves apart from the acts they came up playing with, showing an intoxicating ambition, and their debut album Deep Down Happy, delivers on all bold claims, and confirm their place at the head of a group of young guitar acts.They've been defined though by an increasingly cultish fanbase spawned from online community pages, making 1000s of memes, pieces of artwork and crucially turning up wherever Sports Team play - from the bands annual Margate trip (where many of the songs were written) to the living room of the group's shared house, first in Harlesden, now Camberwell. Sessions for Deep Down Happy have been snuck in between huge tours at various London studios, including Konk and Livingston, with long-time collaborator Burke Reid (Courtney Barnett, Rolling Blackouts Coastal Fever) once again at the production desk. Having first worked together on the anthemic Kutcher in 2018, the debut features Reid-produced singles Here It Comes Again, The Races and Fishing while also featuring a re-recording of early single and live favourite Camel Crew - until now, only available on 2018's Winter Nets.

2020 release. Like a House on Fire is the sixth studio album by British rock band Asking Alexandria. The album was produced by Matt Good. Like a House on Fire shows the group's continuity of a more straight forward and melodic hard rock sound, as established on their previous self-titled fifth album, while also shifting into different genres.

Derrick Hodge is a celebrated composer and bassist who is equally adept on both electric and upright instruments. He is an accomplished session musician who has worked extensively across jazz, cinematic and R&B. New album, Color Of Noize, available on June 26th.

Vinyl LP pressing. Includes digital download. 2020 release, the 10th studio album by heavy metal band Lamb of God. Tis self-titled release is the first studio album of all-new material by the band since 2015's VII: Sturm und Drang and the first to feature Art Cruz as the replacement for original drummer Chris Adler, who left Lamb of God in July 2019. The album features guest appearances by Jamey Jasta of Hatebreed and Chuck Billy of Testament.

As a salute to the music legend, and celebrating Peggy's landmark 100th birthday, comes a brand new career-spanning collection, Ultimate Peggy Lee. The 22-track album features hits and signature songs including "Fever", "It's a Good Day", "He's A Tramp", "Big Spender", "I'm A Woman" and the previously unreleased "Try A Little Tenderness." Double LP set.

Unlike previous albums, Braids decided to stay close to home for the recording of Shadow Offering. Taking over a spacious sound recording studio tucked in an old warehouse, the band were able to slow down and creatively rediscover themselves. 'With this album, we wanted to give ourselves time to achieve a higher caliber of artistry and collaboration,' Tufts says. No longer riding the novelty of youth, the band deliberately took time to recommit to themselves and their craft, and channel new energy into their music. They wrote 40 songs. They went through their Saturn Returns. They learnt how to support one another better. They drank a lot of La Croix. The band sketched and re-sketched new material for eighteen months before lucky circumstance found Chris Walla (Death Cab For Cutie) renting out space in their studio. The four began wandering into each others' rooms, curious about each others' projects. Typically opting for a private and insular creation process, the friendship between the four saw the band sharing their songs with Walla, and naturally resulted in Walla co-producing and engineering Shadow Offering. Pushing the band out of their comfort zone, he at once broke and unified the band's dynamic, unearthing individual creative energy long buried over the years. With a new sense of confidence, listeners will find Braids at their most personal, unabashedly flexing through their new music. A luscious and expansive release, Shadow Offering leads us through a sonic tapestry of narrative. With heart-breaking honesty and precision, listeners traverse a nuanced and complicated world: one full of beautiful contradiction. Although the album directs itself at the failures of people to love and be loved, it also seeks to restore justice and attain blissful union. Its arc crests through the dark towards the light and learns how to dance with the dizzying rhythms of the heart. The songs bubble, sustain, dissolve, expand, retract.

Double LP on red and blue marble (limited to 500 worldwide) in a gatefold with a fold-out poster and free exclusive patch inside.

NCT 127’s 2nd full-length album has been repackaged for ‘Neo Zone: The Final Round’, available on June 12th. Features 17 songs, with the 13 tracks from the original album plus four brand-new tracks. ‘The Final Round’ delivers NCT 127’s ambitious message and music color while bringing high expectations. Both repackaged versions include unique components – one photobook, one folded poster, a postcard (random 1 of 9), a circle card (random 1 of 9) and a photocard (random 1 of 9).

Best known as the charismatic lead singer and co-writer of UK band Savages, who received Mercury Prize nominations for both of their now-classic two albums Silence Yourself (2013) and Adore Life (2016), Jehnny Beth's voice, lyrical perspective, and incredible live performances have captivated audiences since the early Aughts. But it's in To Love Is To Live that Jehnny Beth truly steps into - and claims - the spotlight. The album is a sonic tour de force, a dark cinematic meditation on the strange business of being alive. Throughout the record, she explores the deepest reaches of her creative consciousness... wrapped in a whirlwind of sounds. Indeed, in accessing those darkest and least comfortable parts of herself, Jehnny Beth has created a piece of work that is stunningly cathartic, fiercely abrasive, delicately exposed, and rich for discourse.

Guitarist John Scofield celebrates the music of his friend and mentor Steve Swallow in an outgoing and spirited recording, made "old school" style in just one day in New York in March 2019. "I love these songs", says Scofield of the selection of Swallow compositions explored here. The rapport between Scofield and Swallow is evident in every moment. Behind the drum kit, Bill Stewart, a close associate of Scofield's since the early 90s, is alert to all the implications of the interaction.

“Music has just been a part of my life since I was very young—it's been like my football or my soccer,” says Sammy Brue. “I stopped going to school to do it. Because I thought, If I could put seven hours a day into music, imagine where it's going to take me…”

 

Imagine, indeed. Since writing his first song at the age of 11, Brue has released three homespun EPs, his New West full-length debut, I Am Nice and a 2018 EP, Down with Desperation. In the process, the Ogden, Utah native has been hailed as an “Americana prodigy” by Rolling Stone and one of the “teenagers shaping pop” by The New Yorker.

 

But these myriad accomplishments may have just been the setup for what is arguably his finest work to date, Crash Test Kid. Brue has always been an artist seemingly wise beyond his years, but on Crash Test Kid he often gets at the heart of a matter or melody with just a simple but insightful turn of phrase or cleverly-picked guitar.

Go, Just Do It!, Kenny ''Blues Boss'' Wayne's newest album (June 12 on Stony Plain Records), finds the Boogie Woogie Hall of Famer applying his tremendous talent to an energetic recording of top-shelf good time blues. The album is 13 tracks of originals which include Kenny's arrangement of two Percy Mayfield songs and one by JJ Cale.

Showcasing the magnificent horns of Jerry Cook and Vince Mai, harmonica player Sherman Doucette and Grammy-winning vocalist Diane Schuur, the album will also feature Maple Blues winning vocalist Dawn Tyler Watson, Julie Masi of Juno Award-winning group The Parachute Club and Cory Spruell (aka SeQuaL) rappin' on ''I don't want to be the President.''

Legendary blues piano master Kenny ''Blues Boss'' Wayne was inducted on August 9, 2017 into the Boogie Woogie Piano Hall of Fame in Cincinnati, Ohio. He is hailed by Living Blues Magazine for his six-decade career of bringing the piano back to the front ranks of contemporary blues. This Juno Award winner and multi-Maple Blues Award winner is at the forefront of modern day blues piano.

Love, Death & Dancing is British artist Jack Garratt’s highly anticipated upcoming new album. The album contains 12 tracks produced by Jack with additional production on several tracks by Jacknife Lee, long-time friend James Flannigan, and Brett Cox. The album compiles all four individual volumes of Love, Death & Dancing and kicks off with the lead single “Time.” Garratt showcased many of the new songs earlier this year at two special underplays in the US before a UK and European tour in February and March 2020. He’ll also appear at Splendour in the Grass in Australia in July.

Ambrose Akinmusire follows his acclaimed, genre-busting 2018 manifesto, Origami Harvest, with another visionary statement on his new album `on the tender spot of every calloused moment'. The trumpeter examines blackness on an uncompromising set of modern jazz laced with a heavy blues feeling. The album presents 11 new compositions by Akinmusire, featuring his quartet - pianist Sam Harris, bassist Harish Raghavan, drummer Justin Brown - with guest vocals from Genevieve Artadi and Jesus Diaz.

After years spent looking out at landscapes and loved ones and an increasingly unstable world, Rolling Blackouts Coastal Fever have turned their gaze inward, to their individual pasts and the places that inform them, on their second full-length, Sideways to New Italy. Led by singer-songwriter-guitarists Tom Russo, Joe White and Fran Keaney, the guitar-pop five-piece returned home to Australia after the relentless touring schedule that came following their critically regarded 2018 debut Hope Downs. Feeling the literal and metaphorical ground under their feet had shifted, the band began grasping for something reliable. For Keaney, that translated into writing "pure romantic fiction" and consciously avoiding the temptation of angsty break-up songs, while Russo looked north to a "bizarre place" that captured the feeling of manufacturing a sense of home when his own had disappeared. The New Italy of the new album’s title is a village near New South Wales’ Northern Rivers – the area drummer Marcel Tussie is from. A blink-and-you'll-miss-it pit-stop of a place with fewer than 200 residents, it was founded by Venetian immigrants in the late-1800s and now serves as something of a living monument to Italians' contribution to Australia, with replica Roman statues dotted like alien souvenirs on the otherwise rural landscape. The parallels to the way the band attempted to maintain connections and create familiarity during their disorienting time on the road was apparent to Russo. "These are the expressions of people trying to find a home somewhere alien: trying to create a utopia in a turbulent and imperfect world." The record's geographic identity emerged from the band losing their grip on their own, whether that was through the pressure of touring, the dissolution of relationships, a frustrating distance from their daily lives – or some combination of all three – that came from being slingshotted all over the world, playing sold-out headline tours and festivals including Coachella, Governors Ball, Primavera Sound, All Points East, and Pitchfork Music Festival. The notion of crafting, in Russo’s words, “a utopia of where your heart’s from,” permeates Sideways to New Italy, in which early attempts at writing big, high-concept songs about The State of the World were abandoned in favor of love songs, and familiar voices and characters filter in and out, grounding the band's stories in their personal histories. There’s something comforting, too, in knowing the next time they’re buffeted from stage to stage around the world, they’ll be taking the voices of their loved ones with them, building a new totem of home no matter where they end up.

Each time they take the stage, Madrid-bred rock band Hinds create a kind of wild magic, a feel-good free-for-all often complete with synchronized dancing and giddy crowd-surfing from the members themselves. While the band s first two albums channeled the euphoric energy of their live show in their gorgeously punchy take on garage-rock, their latest full-length adds entirely new texture to their sound. Produced by Jenn Decilveo (The Wombats, Ben Platt and Anne-Marie), The Prettiest Curse finds the band letting their imaginations run more freely than ever, even as they share some of their most emotionally heavy material to date. The Prettiest Curse takes its title from the sometimes-daunting experience of giving your soul to rock-and-roll. In the making of The Prettiest Curse, Hinds devised a brilliantly unpredictable vocabulary for communicating their most painful feelings. Unfolding in frenetic guitar riffs and buzzing basslines, powerful drumming and delicate piano work, the album endlessly delivers massively catchy melodies and vocals that growl and sigh with equal ferocity. The effect of all that unrestrained expression is fantastically dizzying, made even more so by Hinds constant back-and-forth between their native tongue and English.

Vinyl LP pressing. Digitally remastered and expanded edition, released in celebration of the 60th Anniversary of Frank Sinatra's Nice 'n' Easy. Features the original 12 tracks like "The Nearness of You", as well as full sessions of "I've Got A Crush on You" and "Nice 'n' Easy" that include previously unreleased alternate takes and reveals Sinatra studio chatter.

Vinyl LP pressing. 2020 release. The Ghost Inside is a Los Angeles-based hardcore band. They began as a group of friends in El Segundo, CA united by their shared passion for bands in the hardcore scene. The group stands for authenticity, dedication, perseverance and the most literal adherence to the core values behind their craft. Sonically, the group places equal emphasis on deeply personal vocals, urgent riffing and pile-driving breakdowns within the framework of their heavily melodic modern hardcore.

For years, Singer/Songwriter Trixie Mattel has broken boundaries not only for drag performers in the music world but also for LGBTQ+ artists in the genres of country, folk and Americana. ‘Barbara’ is laid out to reflect a vintage double-sided album. Side A features a plugged-in late 60s/early 70s vibe. Side B hearkens back to the introspective folk that took Trixie to the top of Billboard Heatseekers and iTunes genre charts. Pressed on yellow vinyl; packaging includes foil-stamped poster.